Jaar 1971 - 258

A student discussion film regarding the economic, infrastructural, and environmental impacts of the American highway system

This film documents a performance by Taku Furusawa, acting as the Aoyama Outpost of the Kingdom of Lilliput under the influence of Matsuzawa associate Shō Kazakura. Furusawa also acted in the underground theatre group Theater Yakōkan (Night Theater), which had ties with Matsuzawa as well, and in his later years was active under the name Kubikukuri Takuzō, but this film is a valuable document of his early convulsive performance.

The film you are about to see is the outcome of a two-semester high school art project. It was made by a seventh grade art class at Charles Evans Hughes Junior High School in Woodland Hills, California. After seeing it, we felt it should be shared with other classes and other teachers.

Doctor Ewa Lipska, an attractive young woman just after graduation, with interesting professional prospects for the future, chooses the job of a village doctor. Brought up in a big city, she settles in the small town of Międzybórz in the Łódź Province. She is forced not only to overcome the daily difficulties resulting from medical practice in a rural health center, but also to learn to talk to people of a different mentality and gain the trust of her patients.

In "Run", Avraham filmed filmed himself running from point to point, and then edited the film layer by layer. The result is a chromatic intruiguing film.

This documentary by Richard Everson marked the first groundbreaking attempt to depict the events of Garabandal in color 16MM film.

A film about blood money during Cambodia week.

"Bruce Benton's four‐minute “Sympathy for the Devil” uses the classic Rolling Stones recording to lend a sort of frayed irony to a collage of news reel shots of President Nixon, the Vietnam war, Gov. George C. Wallace, riots, Billy Graham and lots of other ducks that aren't sitting as much as they are lying down, exhausted." - Vincent Canby, New York Times, Nov. 19th, 1971

"People with an abiding interest in what young America is thinking today will be happy to learn that with perhaps one exception all the movies in the Whitney Museum's current Teen‐Age Filmmakers program are concerned with nightmare visions. The one exception is “Quiet Snow,” a nature study by Rob Hahn and Corey Kaup, which earns its “perhaps” because after several minutes of pastoral imagery it ends with about 30 seconds of mere blackness accompanied only by noise. For all I know, that may be a nightmare." - Roger Greenspun, New York Times, Oct. 19th, 1971

"An elaborately structured and miserably acted unveiling of how ruinous people are, it looks like nothing so much as a rich kids' meditation on the vanity of life—from the point of view of a posh Manhattan townhouse." - Roger Greenspun, New York Times review Oct. 19th, 1971 David Wise, the son of Electronic Arts Intermix founder Howard Wise and producer Barbara Wise, was a child prodigy whose pre-adolescent films led him to be described by Jonas Mekas as "the Mozart of Cinema." The young Wise would be trained in stop frame animation by Stan Van der Beek, before going on to his later career as a successful writer of science fiction film and television.

“Chop” is the bad dream of a French prisoner condemned to death and fearing the guillotine.

A film of free-hand line animation, where the movement as much as the designs reflects the artist's thoughts on the life of humans and their universe. What evolves is a stream of ideas about the elemental situation of humankind, poised midway between the primary dust and the measureless universe yet unplumbed.

In this moving film, the personal testimonies of Guatemalan Indians, peasants, and guerrillas are dramatized to provide the narration for a powerful overview of the history of U.S. destabilization of democracy in Central America.

“Love Shots traces the overwhelming, colorful landscapes of Minnesota and Mexico: shots of lush, Mexican mountains and country roads are interspersed with Minnesotan lakes on a rainy day and aerial views of the city from a friend’s airplane. Downs also documents his family life; his wife, Anita, and daughter Lila appear throughout the 8-minute short. Distinguished by its frenetic pace—cutting sharply between saturated images and frequently showing scenes sped up to multiple times their normal pace—Love Shots also exhibits Downs’s fascination with conspicuous consumption, manifested in various images of advertising, shopping, and scenes from amusement parks.” —Ruth Hodgins, Walker Art Center

Short film.

The great sick nowadays, the traffic, is always under observation. Methods and studies to attempt to decrease harmful discharges. But if planes and trains are constantly under control, the same goes for cars and pedestrians, where an infringement can often cause collateral damage to other drivers and / or pedestrians as well. Examples of how in some cases reckless driving can cause serious damage. Safer driving, on the other hand, can avoid further aggravating the problems of the very sick person. Preserved and digitized by the National Cinema Impresa - CSC

A1 Directions A2 Honky Tonk A3 What I Say B1 Sanctuary B2 It's About That Time B3 Funky Tonk