“Wires Crossed” follows the story of two girls, reunited after a complicated past. This intimate phone call reveals their emotions, thoughts, and journey during the time when one was struggling with addiction, and how they reached forgiveness and formed a new friendship between them.
"Pashtriku" follows the story of two sisters as they revisit the holy mountain of Pashtrik.
Milazim, Fatmir and Liridon are veteran manual labourers who experienced accidents in their workplaces in Kosovo, Europe's youngest country. In this poetic experimental documentary tribute to a now almost extinct class of people, Ilir Hasanaj gives voice to gentle, sincere and dignified, but almost invisible individuals, who fell prey to harsh and primitive capitalistic machinery and policy in the Balkans.
Three different women talk about their relationship with makeup, its mundaneness, what it reflects, and how it affects them.
Patriarchal times in northern Albania gave birth to a phenomenon - the replacement of the man at the head of the household by a woman. These are masculine times, in which the woman is only tasked with taking care of the household and raising the children. But, locked in these social roles, girls emerge, ready to abandon their female identity and follow the path of honor. They want to be respected women with the power of a man, not for themselves, but for others. They give up marriage and sexual relations. They choose to live as men. The fall of the regime opened the country to the modern world, but neither communism nor the emerging democracy succeeded in changing the age-old traditions in the isolated mountainous regions of Albania. In the Cursed Mountains, to the north, the last sworn virgins in Europe today live a man`s life.
A realistic history of the children growing up on the streets of Kosovo and doing hard work in order to survive. The story revers the likes of Besarta, Drenusha, Kosovare and Fitim, who, having no choice, work under dangerous circumstances until the late hours.
Home is a feeling, they say, but where is home, when you are not allowed to feel at home even within your own body and mind? As I Was Looking Above, I Could See Myself Underneath unveils intimate stories of LGBTQ persons from Kosovo, going through their unceasing search for a safe place that allows them to be.
When ex-Yugoslavia began to fall apart, the Serbian regime banned Kosovar Albanians from participating in public life. Albanian employees across public institutions were fired. Albanian media outlets were closed down. Many elementary and high schools were closed to Albanian students and the entire university system was shut down. During the 1990's in Kosovo, teaching resumed in private apartments, houses and basements stores. This documentary shows how a parallel society and reality was organized. It shows how segregation and apartheid became the norm. Besa Luci and Mathieu Jouffre wrote the script for this challenging film together. In it people are in a relaxed atmosphere: eating, drinking, chatting and revisiting vividly one of the most exciting as well as tragic periods in the history of Kosovo.
Three young people from Prishtina discuss what's it like to not be able to travel due to visa liberalization issues in Kosovo and what it means for them to have never been on an airplane.
In the summer of 1987, Tonin Gjini swam from Albania to Yugoslavia, in search of freedom. Three decades later, he revisits the locations and recreates the events of that unforgettable experience.
How many times have we commented on the "problems" of modern couples with different characters? Events full of intrigue and controversy that in fact commonly occur in the provinces throughout the Balkans, but this time are colored by the dialect and cultural character of the Ulcinj area.
The film deals with themes of life through the eyes of a gravedigger who is tested when he comes across some property when opening the grave of a pauper.
Helena was five years old when the Kosovo War began in February of 1998. She and her family were forced to flee their homes as Serbian soldiers swept the countryside, massacring ethnic Albanians and destroying their land. «Days of War» is a meditation on these experiences of war and displacement.
The movie tells a story that how one man that mistreats water without being aware that water is missing for one kid in other place.
“What if women could move a house?” In “As If Biting Iron” (2019), Rizaj uses the medium of film to challenge this very question as we witness the walls of a brutalist building, situated in the forests of Kosovo, being moved by the forces of over 100 anonymous women. Pushing against the deadweight of the concrete, the burden of oppression literally and figuratively comes undone.
Four women, four heroines, who share a common fate. They have been brutally stricken by misfortune. It is not their shared past that brought them together, but it is “Hope” that keeps them alive, encouraging them to move on. “Hope” presents the different but powerful stories of Ferdonije, Auntie, Makfirete and Valentina. Although life can sometimes be very difficult, one must always try to find something to hold onto. Without hope, these four characters’ lives would have ended a long time ago. “Hope” has a power that even magic does not.
A young man named Toni has been hired by Simon, a stern construction manager, to tape up job advertisements around the city.
In the film "Composition" the plot is not classically constructed but from a subjective emotional state of the filmmaker himself, a condition that includes memories and scenes of our everyday life that follow us in the form of a mix between poetry, humor and nostalgia. The Balkan atmosphere dominates but it all turns into a universal message of love where the man and everything dear around him merge into one.
Hava's brothers decide to divide their paternal property. According to traditional customs, the right to inheritance belongs to male descendants only whereas Hava has no right to inherit. The eldest brother is obligated to find a husband for his sister. Hava must be married and live at her husband's house.
