Cinderella or the Glass Slipper 1907
This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.
This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.
Stencil-coloured version of Segundo de Chomón's Les roses magiques (1906).
Jim, a robber, is in love with the chief’s bride Clara, who firmly rejects his many advances. In revenge, he snitches on the entire gang of robbers to the police, who immediately imprison the chief and his men. Clara kills the treacherous Jim and sets out to free her lover from prison. (Stumfilm.dk)
A clerk, unable to stop playing the game of Diabolo, strays in and out of precarious situations while playing with the toy.
In front of a round tent, a pasha is sitting on the grass; to the right of the tent's door, covered with a patterned blanket, is a flagpole - on top of which is an 8-pointed star [Saturn-Film's logo]. The pasha claps hands, and a servant comes to his bid. The lord is going to smoke from his water-pipe while he buys some new slave girls. The servant calls the seller and his two henchmen, who bring forth four girls in patterned burnooses.
Four Arab men in white burnouses, two women in grey, and one female cook in striped burnous, are sitting in front of a cave in a forest path.
A photographer has a studio in which he asks women to pose in the nude or in daring clothes. Then he receives his all-male clientele, to show them (and the camera, via inserts) the results of his art. But a previous model who refused to take off her clothes, accusing him of harassment, returns with the police in tow.
An extremely clumsy man tries to clean a woman's house with disastrous results.
The artist is presented, with his board: his only appearance. The hand rapidly outlines a human head, into the chalky jaws of which it inserts a cigarette. The chalk head smokes, and finally eats, the cigarette. The head of a woman is drawn, which gradually fills and becomes undoubtedly human. —Urban-Eclipse catalogue
A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.
A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.
A girl who works in a textile mill suffers unwanted advances from her boss. Her boyfriend, who also works there, sees it and knocks the boss down. In retaliation, the boss hires two thugs to beat up the boyfriend, but he outwits them. Instead, the boss fires him. As the boss is forcing his attentions on the girl again, a fire breaks out in the mill...
The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting.
A midsummer Phantasy. The man having been attacked by footpads, puts on a suit of medieval armor which has been magnetized at a dynamo by two boys. Every metallic article which he approaches flies to him, to the great consternation of many people.
A boy in a cadet's uniform paints a statement on the top of the frame and then tips his cap to the audience. Also known as "Matsumoto fragment".
The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.
The plot follows King Edward VII and President Armand Fallières dreaming of building a tunnel under the English Channel.
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.
Jack and the daughter of a horse trainer are in love with each other, but when the trainer discovers them together, he makes it clear that Jack is unwelcome. Later, at the stables, another suitor for the daughter's hand appears. An unusual agreement is reached, under which the result of a race will determine which of the two the daughter will marry. But Jack's rival proves to be unscrupulous, and he will stop at nothing to be successful.