Məşhur Kimdən Albania

“Six More Days of Bread” is a conceptual short film that revisits Albania’s centennial celebration in 2012, when a 500m² cake was placed in Skanderbeg Square, causing a surreal and chaotic public spectacle.

Termokiss Has No Borders is a short documentary exploring the power of community through the story of Termokiss, a once abandoned building in Prishtina transformed into a vibrant, inclusive space for activism, creativity, and collective action.

In a crumbling Balkan home, The Attic offers a nostalgic farewell to forgotten treasures. This intimate documentary explores the memories hidden in dusty books, flickering TVs, and mysterious relics, revealing how ordinary objects quietly connect generations. With warmth, humor, and a touch of sadness, it shows that even forgotten places hold meaningful stories.

“Her” follows the life of Donjeta Krasinqi, a soldier in the Kosovo Security Forces (KSF) in Prizren. The film tells the story of a strong woman navigating and thriving in a male dominated field.

When Erza, Erenik and Andi's ideas get rejected, they discuss how their films could play out through Betmeni, Ketwomeni and Ridlleri. Through humorous tones and playful settings, their film accomplishes to portray three very special narratives.

Berisha family from Prizren, Republic of Kosovo are the heroes of this documentary film. They are six members, Nebi – the father, Zelije – the mother and four children, Valbona, Valon, Valmira and Diellza. Besides Valbona, the other children of this family from the age of 7-8, have completely lost their sight due to a disease that causes the extinction of the eye stem cell.

Shpend has a dream that his mom is on deathbed, but she cannot pass away without seeing him first. Before they execute the deserters, the commander of garrison finds out the reasons behind Shpend’s desertion, and he is ready to offer him two additional days to go home to meet his mom, if Shpend gives him the word to return.

Five boys in Prishtina waste away their evenings away doing things only to fill up the space of time.

Kosovo is not a very big country and not everyone knows what Ballet is. In a small town called Prizren is the first school of Ballet which gives a concert annually. Tiredness, difficulties and sacrifices that ballerinas go through is in the end rewarded by the applause of art lover audience.

Ajshe is the same age as my grandmother. Ajshe’s story is nearly identical to the story of most women her age. In the past, the present and the future, one has many choices but when it comes to marriage, there can be only one.

In the domestic abuse shelters of Kosovo, live women who have suffered unspeakable physical, emotional and sexual violence. An anonymous interviewee’s story plays against footage of the capital, Prishtina, giving voice to those who have remained silent till now.

Small parts of a teenager’s life recorded within two years with a mobile phone, intertwined with her friends and her thoughts about herself, the present and the future in Kosovo.

Arianit, a 17 year old boy from Korisha village, spends a day walking on stilts. During this time he talks with his friends about their concerns for the current situation in Kosovo.

This film is about the domestic violence. A boy tells about the violence he experienced and is still experiencing in his family; where the father violates physically his mother.

A chronicle of the parallel school system in Kosovo during the 1990’s when Albanians were expelled from learning institutions by the occupying Serbs. The filmmaker Bukoshi interviews former students who vividly recall the extraordinary and often dangerous lengths they went to pursue a basic education.

Year 2005 Kosovo has been liberated 10 years ago by NATO forces under the leadership of USA. NATO forces now have complete control of the security situation in the country, but are not physically present in every town in Kosovo. Many Kosovars who have been waiting for liberation by NATO and the United States after the war are desperate when they realize that liberation bu itself will not solve all their problems, but can solve only the problem of security. There are those who are still waiting.

Consequences flowing from the consequences. Some women raped during the war in one village in Kosovo from Serbian army, cope with the consequences of rape, several years after the war. Lushe a woman raped during the war confessed for the newspaper about what happened during the Kosovo war. Village troubled by this news, it brings new consequences as e result of the phenomenon.

A pianist infected with HIV, falls in love with a young ballerina with whom he wants to have a serious relationship. They decide to spend the night together, but with the girl insisting to have non protected sexual relations the pianist has doubts about the right choice…

The film’s title “Are You Everybody?” was a common expression, and first greeting to fellow Kosovan people, when they saw each other for the first time after the war. It was a quick way of finding out whether there was anybody lost from their family. In June 1999 Lala Meredith-Vula (whose father is from Kosova) was invited by the British Red Cross to go in to Kosova shortly after the liberation and end of the NATO bombing. She witnessed the country torn and desolate gradually come back to life again. It is an artist’s deeply personal study about people surviving adversity and carrying on. The film shows the indomitability of the human spirit.

The story takes place during the time of the last war in Kosovo, within the basement of a house, which turns out to be the home of a Serbian policeman. He holds isolated an Albanian doctor called Agron. Agron`s only goal is escaping from the basement and joining his family. But he will be faced with staggering psychological challenges from the Serbian policeman who keeps Agron within the basement through violence, for a very special reason.