Godina 1910

A dance hall girl is converted to a religious life by a phony evangelist. But can he, himself, be saved?

A young man and a young woman, each unlucky in love, determine never to marry. But Cupid (and two separate bands of misinformed revelers) has other ideas.

Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.

A pretty young woman attempts to help a poor, old couple while attracting the attention of a handsome doctor.

Guy Temple, as "the fool there was" marries his brother's ward, his boyhood sweetheart, Emily. The young husband becomes ensnared in the toils of the Vampire (a destroyer of souls). Clandestine meetings are arranged and the cunning, unscrupulous, satanic actions of the Vampire compels the poor weakling, Temple, to falter and fall before her charms. John Temple, the other brother, determines to save the young husband when he discovers his perfidy, and to recover the jewels given the Vampire by Guy.

When young Tom and Adele learn they must wait four years before they can marry, they agree to kill themselves. They reconsider, and then decide to elope. The plan sours when Adele sees two friends flirting with Tom. Brokenhearted, she decides to give her life to the Salvation Army. Tom responds by choosing to join a monastery. When, however, Adele’s father buys her a new hat, Adele backslides and Tom follows suit.

Roses and trousers have little in common and pressed roses presage something wrong in the scheme of things. When roses are pressed instead of a pair of trousers, chaos and confusion is the result

A boy from a poor family grows up to become a successful scientist. The demanding work costs him the love of his life which he bitterly regrets, lying on his death bed. The film was found on four reels in a collection from the local history archive in Aalborg. They were registered as four separate films, but both the style of the intertitles and the actors indicate that the reels belong together. The film's program has not been found, which makes it difficult to identify whether there are parts missing. (stumfilm.dk)

The film is based on the true story of the Danish-Norwegian sea hero Peter Wessel Tordenskiold’s exploits during the Great Northern War of 1709 to 1720. The action is composed of a number of significant events, such as the departure with the frigate Løvendals Galej in 1912, the Battle of Colberghejde in 1715, Tordenskiold’s elevation to nobility in 1916 and his death in 1920. In addition, the director has built a love story around the photograph of a Miss Norris that Tordenskiold carried in his breast pocket when he died. (Stumfilm.dk)

A fisherman has a quarrel with his fiancé who, in rage, throws her ring into the sea. An old suitor notices her bare ring finger and senses a second chance. While on a fishing trip, he happens to catch the fish that seems to have swallowed the thrown-away ring. Luck befalls him once again as later in the day, he wins a card game with the fisherman who, frustrated, has to give up his own ring. The old suitor is now in possession of both rings, while things only go downhill for the poor fisherman. (stumfilm.dk)

In the Kingdom of Never-Never Land there live a great Lord and Lady, each presiding over their own domain. This great Lord goes for a stroll through his estate and coming to the border of his own land he is struck by the entrancing beauty of the contiguous estate, so like his own, that the inclination to intrude is irresistible. His peregrination is halted by the appearance of the great Lady, who is indeed as fair as the flowers that clothe her land. He introduces himself and invites her to stroll with him in his gardens. She is in like manner entranced by the beauty of his possessions. How alike in beauty are they; a veritable fairyland. If they were only one, for it seems they should be. This thought is mutual, and the Lord proposes a way, a marriage, and so a betrothal of convenience ensues. They know nothing of love and so are content in the anticipation of being Lord and Lady of all Never-Never Land.

"A senorita. With whom two young matadors, Jose and Pepe, are in love, tries in keep both on the string. She lends each to believe that he is the chosen one, creating a strong jealousy between them. Pepe calls to see the girl and she receives him with a show of great affection and preferment. While they are courting, a caballero, friendly to the other lover, Jose, tells him of the girl's duplicity. In a rage he goes to his inamorata and, demanding an explanation, accuses her of harboring his rival in the house. She cajoles him, and playfully stealing his dagger from him without his knowing it, endeavors to hold his attention by caresses as Pepe tries to make his escape. Unfortunately he is seen and pursued by the enraged Jose, who, coming up with him as he seeks the protection of a priest busy pruning trees in the grounds of the monastery, engages in a terrible struggle in which the priest Is powerless to interfere." - Moving Picture World synopsis excerpt

When Granny Nichols' daughter heads to go to the city in search of a job she meets and marries a wealthy man. The husband is falsely arrested and before he can prove his innocence, his wife, believing herself deserted returns to her mother with the babe. Freed he finds only a note from his wife upon his return saying that he will never see them again. Returning to the farm with her dying breath, the mother entrusts baby Lena to the care of Granny. When Lena, never knowing her father’s name, is sixteen her Uncle John decides to take Granny and she to live with him in the city. Lena's father, a frequent visitor to John’s home unaware of his connection to his dead wife, Meets Lena and espying a locket worn round her neck containing the picture of her mother, he recognizes her as his daughter.

A friend sacrifices himself, taking the blame for a murder upon himself. A guilty conscience will end up killing the real culprit.

A Quaker father is bringing up his daughter Ann in a stern, religious manner, often disturbed by her frivolity. A motorist, a concert singer from the city, has an accident near their rural home, and has to recuperate in their household. Ann and the singer fall in love, but her father refuses to approve their marriage, and when they defy his wishes he tears Ann’s name from the family Bible. The old couple fall on hard times financially, and are forced from their farmhouse to the county Poor Farm. Ann and her husband learn of this and offer help, but her father’s pride won’t permit him to take it. However, at the poorhouse, Ann plays an old hymn on an organ and softens his heart. All are reconciled.

A man sacrifices a new marriage for the happiness of his daughter.

In the farewell beams of evening the pioneer with his wife and child stop the prairie-schooner and strike stakes for the night. Sounds of the Indian war cry disturb the quiet calm, and seen approaching in the distance is a band of savage red men. Terror-stricken, the settler seizes his gun and stands ready to defend his family. At the first volley from the Indians' rifles he falls dead. The brave wife makes a desperate resistance to protect her child. The poor woman is quickly slain by the hostile savages, leaving the helpless babe to their mercy.

Mr. Josh Banks a ranchman, receives word that his niece, a pretty Chicago girl of eighteen, is on her way to make them a visit. The news immediately electrifies things down in the cowpunchers' bunkhouse, and all the boys begin sprucing up to he presented to the fair one. She arrives, casts a withering glance at the big rawboned fellows waiting to meet her and sweeps off on her uncle's arm into the house, while the latter looks hack and winks his eye at the boys.

Two Johns, a Confederate and an Union soldier, leave their families to go to the front. After a skirmish they end up separated from their respective sides, the Union soldier shoots the Confederate, but he has to escape and look for refuge in the house of his enemy.

Grace Wallace was the only child of a widow of decidedly meager means. Mr. Rupert Howland, a widower of considerable wealth, the father of a girl child, and an old friend of the family, often surreptitiously helped them. He dearly loved the young girl, but it was only at the death-bed of Mrs. Wallace that he really showed it. The poor woman at the point of death realized the helplessness of those she was leaving behind, her own aged parents and her daughter Grace. To assure their future she begged Grace to marry their dear friend, and Grace, touched by the man's goodness and her mother's condition, consented. Not content with the promise, she asked that the marriage take place at once by her bedside, and the wish was granted. Poor Grace struggled hard to love the dear old man, but while she admired and respected him, and was profoundly grateful for his kindness, she could not love him.