Fresh Wave

On 6th March 2011, 113 protesters in Hong Kong were arrested for "Unlawful Assembly" after they stormed the traffic lanes of Central during a demonstration against the budget proposal. Protesters were placed in the canteen of the police station for questioning in groups due to inadequate rooms. Three protesters and three police officers, six people with different political views sitting around the table. The copy machine is out of order; it's going to be a long night. So they started chatting.

Leaving music school, the happy-go-lucky Ling returns to Hong Kong to her dementia-stricken father, on whom she tries to conduct music therapy. Her demurer older sister Munn, the caretaker and sole supporter of the family, watches with disapproval. Playing the piano piece her father once taught her, Ling seems to register some change in her father’s condition, a glimmer of hope amidst the abyss of oblivion. However, secret animosity and rivalry eventually leads to open conflict between the two sisters, bringing out long-time family traumas. Will music save them?

Single father Tsui meets university student Gigi who works at an old-fashioned barber shop that Tsui frequents. They bond immediately and begin a profound exchange. The fleeting friendship is a pleasant surprise during times of vulnerability, but does not help to overcome their individual challenges and demons. Tsui continues to put off dealing with a pressing matter that has long been eating him. Amidst the social unrest, Gigi’s outlook and musings on life lead Tsui to reflect on the unsolved matter and he eventually makes an important decision.

Mable, the daughter of HK's infamous rogue cop is at a loss when her father's old debts lead to the murder of her mother. With the help of Inspector Lok and the sage guidance of her God Grandfather, she uncovers a truth she never could have imagined.

Love is like a flickering lamp whose shades and shadows conjure up images that unsettle the mind. Barista Dawn met her elite boyfriend at a café in Hong Kong’s financial district. At his surprise birthday party, Dawn finds herself out of place among her boyfriend’s privileged friends. Among the birthday presents is a gold designer lamp. As Dawn ponders its reflection, a nightmare begins to take form in her head. On the next day, Dawn encounters a mysterious woman who is her mirror image. Dawn decides to follow her.

In autumn 2019, at the peak of the anti-extradition law amendment bill movement, Yung and Yin meet on the streets. After the arrest of Yung, Yin finds herself in the awkward situation of visiting Yung’s home for the first time. Meeting the parents, Yin has to skip the usual polite chatter and put away Yung’s items before the court warrant arrives. In this austere and awkward first meeting, they talk about the absent son. The long night drags on as the shocked and worried parents are overwhelmed by the opposing political views, by relationships torn and healed, by their hopes and regrets. When dawn comes, what will become of Yung?

Seated in the front row of a funeral hall are a boy and a teenager, the picture of the deceased yet to be placed. A florist, Tung (Ai Wai), is consumed by grief but puts on a front for others. The boy drops by at the florist and orders a custom floral arrangement - a teddy bear-shaped wreath with his favourite yellow flowers — to be readied in three days' time and paid with money saved up in his piggy bank. Tung forges an unlikely friendship with his young customer, an encounter that releases bottled-up emotions so that healing process can begin.

A Hong Kong father and Chinese daughter live in different regions and speak different languages. With their identity and lifestyle antithetical to each other, family members who are supposed to be the closest are actually the most unfamiliar. CHAN Wing-keung, an elderly man who lives alone, is a security guard at a Kwun Tong park. One day, he accompanies his daughter Tsz-shan, who comes from Chinese Mainland, to renew her ID card and open a bank account in Hong Kong. They return home and go for a walk at the park where Wing-keung works. Faced with the gap between them, they are hesitant to speak and can only beat around the bush without making a move. The film gazes at the Hong Kong’s cityscape while ruminating sea changes between father and daughter with its shifting aspect ratio. Once again, Hong Kong Film Award-winning actor Tai Bo acts out the loneliness of elderly in a surehanded performance.

High school student Faye leads a lonesome life, being bullied at school and her family living abroad. She keeps a distance from people, including her classmate Yiu whom she secretly admires. Yearning for love and desperate to break away from her mundane life, Faye becomes a part-time girlfriend named “Sushi”. A delicate dish on the sushi conveyor belt, Faye is coveted and manipulated by the assortment of men who seek her services. Her life is further complicated when Yiu suddenly confesses his affection for her on the phone. Navigating the tumultuous journey of love, will Faye finally be able to lift herself up, take the lead and find her way?

When Chan is diagnosed with terminal cancer, he decides to end his own life, but his grandson unexpectedly brings him an abandoned old dog. The encounter cannot change their destinies but allow them to accept changes that inevitably happen.

Is there eternity in the universe? Five-year-old Ka-wing and his younger sister Ka-yan have been asking this question for all time. From a tumultuous childhood in an abusive household, the siblings are delivered to the HO’s, where they find temporary solace and stability. A brief reunion with their biological parents propels the children back onto a trajectory of precarity and shatters their young dream of home, a shifting idea gradually taking form as they grow up. Featuring Loletta LEE Lai-chun (Golden Horse Awards for Best Actress, Ordinary Heroes, 1999) and David SIU Chung-hang, the short is a narration of childhood through a decade of imaging technology.

The film is a resonant portrayal of the younger generation in the post-Umbrella Movement era. Two years ago, Ah-man (Ng Wing-sze), an independent yet stubborn university student, left home after a furious argument with her mum when the Umbrella Movement broke out. Now, she undertakes a new kind of lifestyle – a life of a vegetarian and an organic farmer. However, she never stops thinking of the taste from home. With the film's fragmentary narrative style, Ah-man’s story also reflects the ambivalent decisions between family and society of her friends.

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Ms Chan, a social worker who has just returned to work, receives her first case. She pays a visit to Jia, a single elderly who seems to have accidentally dialled the Care-on-Call Service. Jia has suspicious bruises on his face and Ms. Chan senses a possible family abuse situation. However, Jia’s attitude is unwelcoming and he sends her off right away. Since then, a series of peculiar events make Ms. Chan question her own sense of reality and sanity.

An umbrella standing alone in the rain by the road. Is it a magical umbrella that protects its owner, or a curse? Sum-yu, a reserved young woman, suffers daily sexual harassment in the office by her male colleagues and superior. All this changes when she comes across a blood-red umbrella on a rainy night, unleashing a malevolent spirit and transforming her into a merciless avenger against the men who have wronged her. Can wrongs of the past life be righted in the current one? A modern ghost story incorporating body horror motifs, the short relates a bloody and thrilling tale of contemporary gender relations.

Life and death are decreed by fate, so the wisdom goes—but who really controls our first and last breath? When we are vulnerable, is the omniscient and omnipotent Heavenly Father the only refuge? The pastor’s wife is terminally ill. By her death bed is the devoted younger son who wishes to minimize her suffering by withholding life support so that she can leave in peace. The pastor, however, insists on obeying the doctrines and God’s will. As signs of impending death approach, is the pastor simply waiting for a miracle? A difficult debate ensues when love for the family conflicts with religious obligations.

Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?

Gun is a loan shark. Having worked hard for years, i.e. intimidating and threatening his debtors, he musters just enough money to purchase a house for the family. The plan is at risk, however, when one of his debtors dies and Gun discovers that he is not the only creditor. Out of desperation, he asks for his daughter’s help, who is unwilling to be involved in her father’s shady business. The simmering tension causes a rift in the family.

With so much prestige and value attached to English in Hong Kong, it’s little surprise parents go to extraordinary lengths to give the best language education for their children. In comes the perfect solution: a learning kit that promises a head start in life, a two-in-one answer to a growing kid and a frustrated stay-at-home mom. Its only downside is the price tag – a hefty HK$53,000! Will our couple succumb to pressure sales tactics – by turns forceful, subliminal and persuasive – ignore their better judgment and rise to the bait?

The traditional image of a father is full of masculine charm—strong, brave, and proud—with the male eagle as its symbol. In the post-modern understanding of gender roles, how has the totem animal of a father evolved? Joan returns to Hong Kong to play matchmaker for her father, who happens to be afflicted by a foot injury and is taken care of by the mysterious Kit. Moreover, her father keeps avoiding her matchmaking attempts, leading Joan to suspect that he and Kit are harbouring a secret from her. Award-winning stage actor Simon LO teams up with What If (2025) actors Ernesto DE SOUSA and NG Wing-sze in this magical realist short film about family. The director fills the film with animal symbolism, adding a touch of colour to the gender spectrum.