Kodak Motion Picture

Formerly showcased at various Disney parks around the world, Magic Journeys presents an abstract look into the mind of a child.

After suffering a personal tragedy, and desperate for justice, Jacob Kanon, a veteran New York City police detective, embarks on the search for a twisted killer who is leaving a bloody trail of elaborate murders across Europe.

Captain EO and his crew journey to a dark, mechanical world to deliver a gift to the tyrannical Supreme Leader, using the power of music and dance to transform her realm from darkness into light.

Professor Wayne Szalinski is presented the Imagination Institute's Inventor of the Year Award. During a demonstration of his shrink ray, Szalinski plans to shrink a family's travel luggage but you, the audience, are accidentally shrunk instead.

Join two of basketball's greatest legends Red Auerbach and Larry Bird, as they share their knowledge, insight, and experience in this action packed, highly instructive, and entertaining look at "America's Game."

In the Andes, a Belgian doctor and his photojournalist wife become ensnared in a native tribe's struggle with a mining company.

A desperate couple risks everything to secure life-saving surgery for their sick daughter.

This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey, under the direction of Kodak scientist John Capstaff. It features leading actresses, including Mae Murray, Hope Hampton, and Mary Eaton, posing and miming for the camera to showcase the capability of the complex Kodachrome process to capture their translucent movie star complexions and colorful, high-fashion clothing.

Documentary of the making of Michael Jackson's Captain EO film for the Disney theme parks.

Produced by the Eastman Kodak Company and shot in a then-experimental process, two-color Kodachrome, Martha Graham's dance "The Flute of Krishna" is performed by students from the Eastman School of Music. It's likely (but unconfirmed) that the film was directed by an uncredited Rouben Mamoulian.

A documentary exploring the effect of PCP on both the user and society, with particular focus on a Los Angeles salesperson named Jack's recreational usage of the drug.

The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.

Watson crafted a dazzling visual ballet that stands on its own as an aesthetically rewarding and educationally inspiring tour of the massive Kodak factories. Utilizing the multiple exposure imagery he had used to such great effect in The Fall of the House of Usher (1928) and Lot in Sodom (1933), Watson makes tool and die drill presses, assembly lines of camera parts, and the film coating process every bit as expressive and interesting as an MGM historic drama.

A low budget industrial film shot for the Eastman Kodak company. The mildly funny film that shows all the troubles of a man named Lester Snapwell (Keaton), who, in the late 1860's, tries to photograph his sweetheart, Clementine, and her mother. However, he has too much trouble with the bulky camera. Then he is accidentally killed and father time transports him forward in time. In each successive period he struggles with the photographic technology of the day. Then he arrives in the 1960's where the new Kodak Instamatic" camera puts all his troubles to rest.

A record in 35mm film of the first drenching rain on Los Angeles after the devastation of the wildfires.

The evening presentation of distinguished guests from earlier that afternoon.

10th Anniversary documentary about Royal Blood's 2014 eponymous debut album, presenting an intimate glimpse into the creative process and the journey behind their work, friendship and brotherhood.

Julien, a young french comedian, disembarks in Chacahua, a fishing community in Mexico's pacific coast.

San Diego, California. A Spanish taxi driver collects a client who asks to be taken to Miramar Street. These words are sufficient for the driver to feel that something in his life has just changed.

From many distinguished American poets comes the connecting narrative for this gorgeously photographed treatise on America the Beautiful and America the Increasingly Ugly.