An attractive teacher is faced with a big problem: she can't decide which of her two “men of the heart” she should choose. She has to choose between her current boyfriend, who is a free-spirited womanizer, and a reserved university lecturer who has a six-year-old son.
Alice Cordes is to spend Christmas with her boyfriend Nicolas Huber's family in Upper Bavaria. Although the Hamburg chef no longer has parents herself, she initially reacts hesitantly to the invitation: a family celebration? But they haven't known each other that long. Unfortunately, their journey together comes to nothing: Nicolas is held up by work and has to join them. Alice only finds out about this at the train station in snowy Bavaria.
Wagner’s Romantic opera demands singing actors who can truly inhabit their parts, and that’s just what we have here. Is it possible for a Knight of the Holy Grail to look more enticing than Peter Hofmann? No wonder Elsa (Eva Marton) falls in love at first sight. Marton’s heroine is innocent, but she is also a passionate, real-life young woman—which is good, because Leonie Rysanek is positively demented as Ortrud, the sorceress who accuses Elsa and Lohengrin of using magic. With James Levine’s superb conducting, the orchestra and chorus are similarly magical.
Two girls who couldn't be more different. Alina loves horses and would love to have one of her own, but her mother can't afford it. For Jennifer, the daughter of rich parents, horses are just objects that are used and then put away. The stallion Silverado belongs to Jennifer, but only Alina gains his trust. Unfortunately, she doesn't have the means to buy him. To make matters worse, Jennifer falls in love with Alina's crush Patrick and her mother starts a new relationship after separating from Alina's father. But after a tournament, Alina is the winner in many respects and Jennifer is forced to realize bitterly that money and scheming games can buy neither love nor happiness...
Helmut and Karen, having an affair, are on their way to Erich’s weekend house when Helmut accidentally injures a vagrant. Karen forbids taking him to the hospital, and the vagrant escapes. Helmut, following them, runs over the vagrant again. To cover up the murder, Erich serves the vagrant as part of a wedding anniversary meal, pretending it’s a surprise.
Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.
Soviet authorities are making life as difficult as possible for a village of Volga Germans, most of whose ancestors originated in the Frisian Islands, with taxes and other oppression.
The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.
Shot from 1972-75, Anna observed a young drug addict expecting a child. Ruhm’s essay film draws on this previous work and asks about the place of women in a world that was full of discrimination back in the 70s and remains so today.
Marika is a cheerful girl who lives on the Danube aboard an old barge she inherited from her father. She works as a waitress in her aunt's inn, entertaining the guests with singing and dancing. Her greatest dream is to save enough money to repair the old barge and sail down the Danube. One day, she meets three young artists, Georg, Oskar, and Christoph, who all fall in love with her. Together, they put on an open-air revue and raise the necessary money. And with Georg, Marika is lucky in love.
The unemployed salesman Wolfgang practices optimism, his friend Günther realism: The situation is shitty! But then zookeeper Günther finds a few hundred thousand Euros from his demented neighbor. The mates take the money but also the care for the old man.
A group of hooded vigilantes hang wrong-doers with a rope stolen from Scotland Yard's Black Museum.
