Álvaro, before escaping from himself during ten years, return to his town, a small village in Galicia, to attend to his father's funeral. There he will try to make it up with his brother and to recoup his daugther Mar. Everything gets complicated when he finds a dead woman in the road, the woman is Lidia, a Mar's friend who works as a prostitute.
A couple of gay men must break up due the impossibility of one of them to accept his homosexual condition. The farewell gets very difficult when the other one tries to convince him to accept himself and not to leave him.
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…
A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story.
Two workers from Video Vega, the last video rental store in the city, discover the identity of a local serial killer.
Barbara, a journalist in the beginning of the 20th century, searches in the border between Portugal and Galicia a bandit called El Argentino. In her travel she meets two men that say that they belong to his gang.
A housewife struggles with her husband after he is possessed by a ghost.
Argentina: 1969: Major Molina has been sent to a military outpost in southern Patagonia to investigate the brutal murder of soldier Lito. The harsh weather conditions of Patagonia reflect the strict and cruel way in which the Colonel Hellman and his officers direct the garrison. Gradually comes to light that Lito was drugged by a fellow, Reppeto, and therefore was unable to participate in an unexpected military exercise at night. For his "disobedience", Lito was beaten to death. Molina seeks justice, aided by the deceased's family and the village priest. However, he is forced to abandon the case when the military forces take the power in Buenos Aires. Years later, with democracy finally restored in Argentina, the case will be reopened causing the abolition of military service and the military justice system.
Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.
Alejandro, a freshman, and Sofia, who’s doing her thesis, meet in college. They build an asymmetrical relationship: he’s in love while she just wants to see her sexual desires fulfilled.
Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…
