Lu-To 2013
Luisa and Tomas try to save their relationship by avoiding their differences and clinging to the love they have for each other. Everything starts disintegrating when they realize that love is not enough.
Luisa and Tomas try to save their relationship by avoiding their differences and clinging to the love they have for each other. Everything starts disintegrating when they realize that love is not enough.
is the continuation of the Mexican film El Chanfle (1979) Chespirito, which aired in theaters in 1982. At that time the cast of the neighborhood (with some absences: the Carlos Villagran, who decided not to continue working with Roberto Gomez Bolaños by a personal decision, he left in 1979. Ramon Valdez next year decides to accompany him, also leaving to work with Chespirito. returned with him in 1981, but a health problem that was detected in the early 80's, was prevented from participating in this film), it left room for the story of a lowly stagehand football team that achieves his dream beside his wife Tere, of having a child. In this film, the situation is a little different.
Mariano Martínez is a screenwriter going through a rough patch who feels that his magnum opus is yet to come. His agent, Maite, gets him the last chance he was waiting for. To focus on his work, he decides to isolate himself in a cabin in the middle of the forest to avoid distractions and finish the script in a week. When he arrives, except for a fake ornithologist who hangs around the area and a rude landlord, everything seems ready for him to get down to work. But the muses do not deign to appear, and Mariano begins to despair. Until, suddenly, a light illuminates his path, but only for a short time...
Aurora lies in bed and suddenly receives a divine call revealing the unknown whereabouts of a relative. The old woman enters a brothel called 'El Buen Camino' (The Good Way), frequented by folkloric and religious transsexual prostitutes. At the end of the joint she finds her relative and after a chase she shouts: Mateo! He stops and starts a tense discussion where religion and transsexuality will be united with an Andalusian folkloric touch.
It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.
A villain has his cronies kidnap a teacher and pretends to be him, teaching in a hidden town.
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
The fighters face a gang that will try to steal the sarcophagus of The Mummy.
Lucho, a young rapper, practices on the road: Every day, he boards Lima's public transports to sing. One night, he organizes an event in his neighbourhood, but the police interrupt the gathering, confiscate the sound equipment, and arrest Lucho.
Two pregnant friends have a lunch date on the beach. What was going to be a nice day in the sun becomes complicated when one of them starts to recieve calls from her office about a problem with a client.
An old woman wears herself out with every movement, entrenched in her room. Each of the gestures of her aching body reminds her of the years of prison and torture she experienced as a political prisoner of the Uruguayan dictatorship. At the end of the 1960s, Élida Valdomir was an armed leader of the Tupac Amaru movement and never denied her commitment. In this almost closed door, yesterday's memories and today's images constantly respond to each other.
The film shows the eternal conflict between the happy, carefree sector of Mexican high society, and the oppressed poor rural sector. The protagonist is Tomás, a restless and lucky boy. Tomás is the point of convergence between the conservative system which is threatened by the terrible injustice of the Third World.
Antón travels to his grandparents’ village to receive his first communion. There, while celebrating this special day with his family, a new way of seeing the world around him begins to take shape within him, leading to an experience that will forever mark the course of his life, as an individual, as a cousin, and as a child of God.
Vladimir, a renowned visual artist, undergoes a profound transformation after the death of his best friend, Raulito. This tragic loss triggers a creative explosion within him, driving him to paint numerous masterpieces while harboring dark secrets to maintain his inspiration. However, the unexpected arrival of a young girl in his life forces him to question his values and purpose, leading Vladimir to embark on the creation of his final masterpiece.
A recent Cuban refugee arrival, Raul, is hunting for mangoes he can hustle to local bodegas for some cash when he inadvertently becomes octogenarian Cuban lady prey.
A porteño tango singer is kidnapped by a UFO and taken to Madrid, London and Paris.
John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
Young woman and her godfather make up a story about her past in order to trick a suitor into marrying her. Then she becomes a musical comedy star and Mexican Revolution.