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These intimate situations were recorded with a phone, registered on a VHS tape or filmed using a digital camera. Jakub Ciosiński shows the life of a three-generational family in the context of love failures and problems with relationship building.

3 generations, 3 narrations, 3 different points of view. A dance of generations.

Krzysztof Suchowierski, young man from Poland (live in England) is amazing traveller. Krzysztof cycled 3,500 km of Siberia in the winter. His main motivation was to visit the places where Polish exiles prisoners were sent by Soviet Regime, but not only, also Russians, Germans, and many others. His lonely trip to Kolyma (Russia) had a similar message.

Join our friends on their next adventure... The stories of two brothers - the elder Śruba, a natural leader whose thinking prefers the rational world to the imagination. He's lively, and like any prankster, he always gets into trouble. Kubik is a born intellectual, a bit of a little adult, although he is actually cheerful and playful, careful and meticulous. His older brother is his role model! When Śruba goes somewhere, so does Kubik!

The documentary contains interviews with older and younger generations of poster artists, examples of past and current poster work, historic and current film footage of where and how the poster is viewed, and commentaries from both American and Polish scholars and artists on the significance of the Polish poster as a cultural icon.

Trace is an impressional story about the artistic practice of Alina Szapocznikow, recorded three years after the artist’s untimely death. Film director Helena Włodarczyk took the artist's sculptures hailing from various stages of her work to a metropolitan avenue. Even in highly urbanised surroundings, the works by Szapocznikow still seem imbued with the physical. An important role is played by formal experiments of the artist (e.g. sculptures of polyester). “I like to work with materials in which every touch leaves a trace. This physical contact with the matter gives me the sense of handing myself over to the sculpture”, as Szapocznikow explained. The title of the film refers to that very statement.

Animals locked up in a flat with the decomposing corpse of their owner try to survive. In this difficult situation one of the dogs finds out that its love for its owner is stronger than animal instinct.

A mother and her three children live in a place where the only food there is apart from the mother's milk are figs from the fig tree.