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Raden Ajeng Karina is of mixed-descent, born to a Dutch mother – who has since returned to the Netherlands – and Javanese father. She lives in the palace at Yogyakarta and must integrate herself with the majority Javanese society. In doing so she wears traditional clothes such as the kebaya. She later becomes involved in a love triangle with a foreign representative stationed in the city and his wife.

Coki, Udin, and Kunto who were patrolling were playing cards and talking about their lives. The conversation was filled with many jokes that were very typical of gentlemen's jokes. Their excitement then died down when they saw a man pushing a motorbike. They helped the man to start his motorbike. They chatted with the thief before saying goodbye. Shortly after the thief left, a husband and wife came to the patrol post panting. They reported that their house had just been burglarized.

A memoir from a five days trip. We tend to forget small things. It's just vanished in our realm of neurons--floating through emptiness. Or maybe we remember it, out-of-order.

The prominent scenery of Bali is presented through the journey of a romancing couple. It also features the martial arts skill of a young woman, the tear-jerking humour of a comedian, and layered with musical elements.

A wife is confused after her husband turns into two indistinguishable persons. Which one is the real husband? One of her husbands is actually the manifestation of the rat demon. Luckily, the God Djie Lay steps in by sending a magic cat in the size of a tiger to wipe of all of the five rat demons.

Tells the story of Poei Sie Giok who was taught martial arts since he was a child, and inherits the knowledge passed down by his mother, Tjoei Hoa.

I don't know who preyed on who, when the camera was faced with the muzzle of the weapon.

This Gorilla Community consists of various backgrounds and different professions. Those who join have different reasons and ideals regarding their goals to enter a community that is accustomed to exercising with weightlifting on the roadside in an alley called Gang Buntu.

Ahead of the 2014 legislative and general elections, the mass media was buzzing with discussions about fluctuations in the prices of basic commodities and hopes for a better government through elected representatives of the people. In Dini Salon and Kardi Salon, male and female customers from various economic classes and social statuses express their honest opinion about the ongoing “nyalon” (running for representative of the people) activity.

The thinking of a Muslim child who is critical, he really wants to have a pet dog. However, his parents did not allow him.

Salmiyah explores fragments of memory, perceptions of historical actors, history buffs, and audiences. The past, always leaves questions, it can never come back in its full form. People are competing with each other to create their own history. Salmiyah is an attempt to describe the complexity of history which is always full of bias and distance.

In Sadang Kulon Village, there is one family who cultivates the land in their village as a staple for making red bricks. Through this film, we can understand the process of making red bricks, as well as the life stories of the families of red brick workers.

The film tells about the various activities of citizens in 9 regions of Indonesia during the pandemic. Starting with morning activities until the evening, where the situation in each location is very different. The issue of pandemics and the application of health protocols is the most common problem in each location, as well as in other parts of the world. The existence of the Corona virus that is not visible in front of the eyes makes some residents see it as not a dangerous threat. This film records fragments of events from various perspectives of residents with their respective activities. The story of each location is combined into visual poems, which can be related or unrelated. The most important thing about this film's story is how culturally people face a pandemic which is recorded with the simplest cameras.

This documentary tells/explains the pelebon of a pair of sulinggih in this Corona pandemic situation, the difference between pelebon/cremation as usual in Bali, with pelebon/cremation during the pandemic, especially corpses that have been exposed to covid. Then they found and used a very unique, simple method, a method very rarely used by Balinese people to carry out pelebon, namely using Tirta Prenawa Pengawak Solas. This film also inserts a "little" love story of a husband and wife until death picks them up. The couple had made a promise that the husband would die first. However, the wife did not keep her promise and died first. The husband felt disappointed, devastated, and sad because the wife did not keep her promise. Because their love is so strong that they are not separated from each other, the husband is "trusted" to "let go" of himself and then follow his wife.

A pastor who is in ministry in God's field, realizes his work outside the church walls by preserving the environment through nature conservation in the form of providing free plant seeds that are distributed to the community for many years to be planted, also invites others not to litter.

All circles have felt a considerable impact during the current pandemic, including farmers. With extraordinary experience and firm principles, Teh Eneng—as she is usually called—as a woman farmer, continues to innovate and maintain her profession as a farmer.

A family which actually not having blood ties to each other go on vacation in a place which is basically is a vacation destination, such as a quiet place, quiet, intimate, and refreshing. This holiday put this family away from the crowds, sweating, confusion, and the same desire to get satisfaction.