Popular From Iceland

The twins Jon Oddur and Jon Bjarni are typical normotensive boy saddles. Sometimes, they have to be quite the most dangerous repeat and even naughty but filial innocence they easily melt everyone's heart. The family also Anna Jane hálfsystir that is poorly organized by the "teenage" and Mike's little sister in the most trouble with potty time. Soffía housekeeper is also an essential part of the family but she could boys while their parents are at work. But if the brothers are so fortunate to have a good family, there are not any.

An attention desperate looser keeps interrupting a very serious pitch meeting.

A filmmaker joins a group of expert kayakers on a kayaking trip in the ice filled fiords of East Greenland. The group visit a remote inuit village, giving an insight into the habits of people in a magnificent country where, fonunately, the pace and stress of the Western world is still absent.

Óskar and Maggi are two brothers, longing for love but seemingly doomed to stay single. Óskar shies from relationships but is secretly in love with his childhood sweetheart Anna, engaged to another and safely out of reach. Maggi on the other hand is overly eager and goes from one relationship to another, hoping for eternal love each time. A film about the complexity of human relations and the searching for love.

A short computer animated, action packed valiant adventure film from the middle ages about a princess picking flowers. It started its life with knights in armor, swords and shields, horses and wild heartbreaking romances, but turned out as something completely different.

The tiny village of Flateyri in North West Iceland is a community in crisis. The young people have moved away, the fish factory and the recording studio have been sold to make holiday homes, and one third of its residents are now Polish people who came only for the work. Nestled inside the West Fjords, this quaint outpost is perched upon a narrow finger of land which juts out into Önundarfjörður, situated well within striking distance to the fertile fishing grounds that ultimately gave rise to this settlement.

Built for a sleek and secure future the iconic Bank of Industries, was erected in downtown Reykjavík in the 1960s. Some fifty years later, we step inside the building and witness its geometrical and material dissolution before the backdrop of everyday life.Through a visual narrative of building materials returned to the earth, we face the interplay between humanity, machines, and the elements. It's an interment of a building corpse at the end of the age of disposable building culture.

Gudmundsson has spent most of his life outside Iceland after he first moved to the Netherlands in 1963. He has homes and studios in Amsterdam, Reykjavík and Malmo, and in the past few years in Xiamen and Beijing in China. Gudmundsson has displayed his works in most countries in Europe and major public works of sculpture have been commissioned from him in the Nordic countries and in central Europe.

It’s now 40 years since the end of the Cod Wars between Britain and Iceland. During the 1950s and 60s, Britain consumed 430,000 tons of cod each year, but as the stocks started to diminish the livelihoods of fishing communities in both countries were at stake. Iceland took steps to protect their fishing industry - the mainstay of their economy - resulting in the three so-called Cod Wars. This was a David and Goliath struggle, where the small fleet of Icelandic gunboats were pitted against the British trawlers and the Royal Navy in the North Atlantic. This Icelandic film, made in 2001, tells the story from both sides and reflects on the impact of the Cod Wars in Grimsby and Hull.

A film documenting the landscapes of northern Iceland.

In Núpur, a chef from Reykjavík is hired to throw a party in the middle of winter at a summer hotel and an old boarding school. All information is scarce, but he realizes when he arrives at Núpur that he is alone there, at least for the first time. The film is based on the stories and experiences of former students from the boarding school in Núpur. Everyone who has stayed at Núpur knows Númur, but Númur is a former student of the school who took his own life while staying there almost 100 years ago. Ever since then, he has had a habit of pranking those who stay at Núpur.

Icelandic Pop music is a World known brand today. Before that happened, scores of Icelandic musicians had tried their luck abroad with little success. Today Icelandic bands and artists are household names along with the pristine Nature of Iceland. How did that happen and who are the main players? In this documentary series, we follow the evolution of Icelandic popular music from around 800 AD until today.

Waste takes place in an imaginary civil war in the hitherto peaceful and pacifist Icelandic society. The film tells the story of a soldier who increasingly questions the usefulness and purpose of wars.

The 1955 strike in Reykjavík was one of the hardest-hitting strikes in Iceland’s history. The Reykjavík of the time was a growing cultural city that was experiencing an increase in luxury goods but also full-fledged poverty. The trade unions were pressing for improved social rights in a political environment often ruled by the Cold War. The stage was set for an unprecedented siege.

Ragnar Bjarnasson career spans 60 years. Now at 75 he is ready to examine his career and allow us access to the idol Ragnar Bjarnason who is much loved by all ages. The camera follows him during a grand performance in honor of his seventy fifth birthday and gives us a glimpse of the pendulous chances of his life and career as a singer and performer.

A portrait of the life and work of the visual artist Birgir Andrésson (1955–2007). Andrésson grew up under unconventional circumstances, with both parents blind. He was known for his marginal personality but eventually became one of the leading Icelandic artists of his generation.

Everyone thinks Addy is in the perfect relationship with her girlfriend Salka. When Addy witnesses her friend help another friend from an abusive relationship, Addy is forced to look at the flaws in her own relationship.

The three-woman strong artists' collaboration The Icelandic Love Corporation's animation guides the viewer to friendship through the world's perils and paranoia. Narrated in the grey hues of a 1970s Czech cartoon, the forces of good and evil battle it out in a mythical universe as Hieronymus Bosch-style creatures meet Icelandic elves to a drum-solo frenzy. And at the end, we receive the hard won advice on how to stay (or become) sympathetic.