Since 2019, menstrual products have been unaffordable for almost three quarters of the Lebanese population. Jeyetna draws ten intimate portraits of women experiencing period poverty (including Amira, a refugee from Syria, Gigi, a transgender woman, and Funmi, a migrant worker from Nigeria).
In the midst of a socio-economic crisis, we follow the process of young Tunisian artists trying to organize alternative events in unusual locations and discover the underground scene and to be part of the simulation.
‘The People Of No Man’s land’ is a 25 minute exclusive documentary, which takes the viewer on a journey inside Al-Rukban camp, an unofficial and unsupported refugee camp between the borders of Syria and Jordan. Since no journalist or media have access to Al-Rukban. In this film the many challenges that the people of Al-Rukban face become clear through the eyes of Umm Hussein, a 42 year old woman living in the camp. She and other inhabitants describe the terrible living conditions, picturing a dark place in which people are left alone with very little help from the outside world. But despite their suffering, the people in Al-Rukban continue to live their life in the middle of the desert. They have changed tents for stone buildings and try to rebuild their society from scratch.
a story of an orthopedic surgeon from Agami and how his close relationship to the sea , philosophy of life , firm principles and passion for woodwork led him to rediscover his true potential away from what most societies call success routes . On his journey he encounters kindred spirits who flock together in pursuit of happiness , freedom and self - expression .
Life on the CAPS is the final chapter in Meriem Bennani’s film trilogy of the same name, set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean.
A father/photographer who has trouble accepting his daughter disappearance, goes through a strange trance when the photos of his daughter begin to haunt him.
Al-Jadah is a word in the Kuwaiti dialect that refers to the youngest son in the family. The film tells about the youngest boy of a Kuwaiti family, he goes to war and his news is cut off.
A mocumentary that follows the lives of 6 individuals in Kuwait.
A Kuwaiti employee narrates the daily routine of his life in Kuwait.
A friend conspires with a third party against his friend, and this leads to interesting events and reveals unexpected secrets
Casablanca! A group of young Comorians trapped in despair come together. They plan joint projects and dream of a bright future for their country. However, this common will is threatened by attempts of seduction of which Moina Hindru, the initiator of the movement, is the object. All the boys love him. Will she choose love or fight for a better tomorrow?
Under the uncompleted arch of a disused building, Amira Louadah gathers a group of sportsmen linked by the use of their fists, who call themselves “the 300 faction”, after Zac Snyder’s virilistic blockbuster.
Story about a young model who always thinks about his beauty is his strong point in his life and this idea takes him to the point where many problems and incidents arise for him
This film examines the Egyptian rural craft of making a sieve called ghurbal (from the Arabic ghurbal meaning “to winnow” which is used to both “winnow” babies on their seventh day of life and to winnow grains for making ceremonial dishes, particularly kouskousi. Embedded in this material culture artifact are layered meanings of creative regeneration of the cosmic and human worlds. We visually follow the material process from tree log cutting to making the tara (ghurbal frame), to ghurbal crafting, through the voice and image of two key persons: Na’ima, the craftswoman and owner of the frame shop, and Hoksha, the rural ghurbal craftsman. The ethnographer/filmmaker engages them to speak and we are drawn into their lives by their stories as we view self-confident mastery of their craft. While Hoksha relates how he has kept this child from his father, we see his son next to him making a modern flour sieve, having never learned the family tradition.
