An interventionist documentary showing the phenomenon of widespread prostitution, maintained in the style characteristic of the "black series" of Polish documentaries of the mid-1950s. Staged shots at the Polonia café are juxtaposed with a documentary recording of arrests conducted by the police among Warsaw prostitutes and interrogations of the arrested.
A young man lives constantly in a fantasy world, until he starts working for a railroad company.
Children's animation short by Ryszard Antoniszczak.
Bolek and Lolek repeat the legendary shot to an apple. Bolek places an apple on Lolek's head and shoots a crossbow.
Experimental animation by Janek Koza
Musical based on SIKSA's album is a performative dream of making a movie come true, where both the dream and the movie are like chewing gum that has been tasteless for too long. A nostalgic invitation to a dancing story about a girl returning to her childhood, when she dressed up as different women using her mother's wardrobe, and all the roles she played were to please herself. This film is a tool for reconstructing the scenes from the youth, as well as a baroque farewell to all the glitter and unicorns. Stabat Mater Dolorosa is like a bayonet slashing through modern times. She gives us micro-performances with all her body, and at her own risk. SIKSA's music is the scenario rejected, grinded, spat out, negated and intensified by the characters. Piotr Macha's camera is one of the murder weapons that SIKSA would like to use to fuck up the modern reality. It's a language of art that SIKSA has been using almost unnoticed since 2014.
How we were looking for Lailonii. Film is a part of the series "14 tales from the Lajlonia Leszek Kołakowski Kingdom".
Rio, a young fisherman, lives in the kingdom of Lailonia. He is in love with Muria, who he considers the most beautiful girl in the world. When he is called up to the army, he does not forget Muria even for a second, despite being exhausted and facing numerous obstacles. Film from the ‘Fourteen Tales from Lailonia Kingdom by Leszek Kołakowski’ series.
A man's frustration is shown as he tries to put on a winter hat.
An exquisitely intricate work walking the tightrope between film as a record of reality and an abstracted visualisation of sound.
