Popular From Senegal

War, emergency, pandemics and hunger. Humanitarian workers are used to working in the most varied and extreme missions and contexts across the planet. However, few of them venture openly into the world of personal feelings. For this film, forty humanitarian workers and their loved ones did just that, speaking without reserve about the risk, the commitment, the first mission, the sense of powerlessness, the encounters, the passion, the return home and the unspeakable things they’ve witnessed. This film explores the question of their selfishness in choosing to do this kind of work. Each person, in their own words, tells us about their feelings and experiences. Openly and straightforwardly, they tell us who they are and speak of their commitment to others, their doubts, their weaknesses and the images that haunt them.

Micheline, who is pregnant, lives in a home for women from which she tries to observe the world with calm and serenity. Among other women of the home who are also pregnant the frequently asked question is whether they will keep their baby or not.

Since the suicide of his wife, Jacques Loursat has gone downhill. Estranged from his daughter, his lawyer's pratice in ruins, he consoles himself with drink. One night he is woken by a gunshot and catches sight of a young man fleeing the house. Isabelle, his daughter, claims to know nothing about it, even when he finds the body of a young man. Isabelle hangs around with a gang of spoiled young people who have no shortage of money, and is in love with Joel, an ambitious boy involved in drug dealing. Antoine, from a more modest background, is in love with her. When the police start investigating Joel's murder, Antoine becomes the ideal suspect.

Esther Gorintin became a star at 85, having survived the harrowing 20th century, from her native Poland to the Rue de Rivoli in Paris. Between Cannes to the local fast food joint, with a taste for Ted Lapidus designs and a thing about plastic bags, Estherka is the heroine of this comic documentary, the portrait of a woman in the twilight of her life and at the dawn of her career As well as recording the incredible career of this 85 year-old débutant, I wanted to tell the story of her entire life. I had started filming Esther Gorintin before she started acting: her journey through the past century, her memories, her storytelling style, her unique relationship with the world around her, and her very special relationship with her son Armand. Here are the reasons why I followed her for more than ten years.

March 1992, in a small town in the suburbs of Paris. During an alcohol fueled party, teenagers discover a body hidden in the bushes of a forest. A body that seems lifeless. Two weeks earlier. Simon, a 16 year-old teenager, has not shown up for class. Blood stains are found in a class-room. Run-away, kidnap, suicide, murder? A few days later, Laetitia, a student from the same class goes missing without her parents knowing where she has gone. A young girl with no dark background or connection to Simon. The next day, Jean-Baptiste, a third student, also disappears. Rumors start to spread. The psychosis begins...

A televised broadcast of a play: the anxieties of an author who, with each new play, thinks only through the prism of media coverage. Thus, each critical response turns into a veritable exaltation of moods.

Shana is 25, and after yet another disappointment with a boyfriend, she decides to get on with her life. But when she misses her grandmother's funeral, everything goes haywire.

Laurent, a seemingly normal young man, is looking to join a witches’ sect that resides in a forest near his house. The only thing is Laurent’s wife Aline also needs to join the sect in order to complete his initiation. Aline is understandably reluctant, so the sect’s heads design a series of events designed to break her down.

Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two brothers daydreaming out loud about marrying the king's daughters, even if that meant being beheaded one year later. The weddings take place and one of the brother is decapitated one year later. The other one escapes execution at his wife's insistence. On a long journey full of surprising incidents, our hero himself becomes king of a village with wives and subjects. However, his earlier promise haunts him, and in order to save his family he accepts to be sacrificed.

French erotic auteur Gerard Kikoine makes the world his canvas in this sexy roundelay of intimate encounters across the globe. Following a pack of cigarettes that ends up with partner after partner, the film moves from Paris to Rome, Cannes, Hong Kong, Los Angeles and New York, exposing carnal couplings that take place everywhere from a furniture store to an airplane cockpit. Marie-France, Sophie Berger and Josephine Jacqueline Jones co-star.

This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

Exclusively created with period engravings, this animated feature explores the Franco-Prussian War of 1870 and the ensuing Paris Commune revolution in 1871.

A small, empty boudoir slowly becomes populated by a series of young women, their still and open expressions gradually engulfing the screen, as a nun narrates an account of religious rapture. Belgian filmmaker Olivier Smolders continues a brilliant exploration of religious ecstasy, figured in and epitomized by the erotic, death-defying gaze of the camera lens, in this sublime black-and-white treatment set to excerpts from the theological writings of Saint Teresa of Avila.

Seventeen-year-old Jeff stays at film director Blake Cadieux's wilderness lodge after being invited by friend Max's family. When strange events occur, Jeff suspects something is amiss with the director and his retreat.

The mother of three children seems to become romantically involved with the man playing Don Juan in the same local countryside theatre where she is acting. The children decide to try to poison the man who is threatening their family life. The real life and the stage roles get intertwined...

For no apparent reason, "the man" decides he is going to live only in the bathroom of his apartment (clothed). Perhaps he wants the isolation he might find there. His solitude destroyed by a bevy of friends, some housepainters hired by his girlfriend, and his family, our philosophical hero makes his way to a nondescript hotel room in Venice, where he spends his time playing darts in his room. When his girlfriend visits him there, he responds to this interruption of his musings by briefly using her forehead as a dartboard. Eventually he returns to his Paris apartment, and reconciles with his injured girlfriend.

Pio and Anaïs, a couple about to get married, announce to their friends that their wedding will be child-free. However, their friends, who are now parents, decide to bring their children along, thinking they can hide them from the bride and groom.