A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.
On the one hand you have Judith Zahn, an arrogant, snobbish, Parisian editor. On the other hand meet Julien Demarsay: an insecure, timid, young bookseller from the East of France who has just written his first autobiographic novel, with what it takes of navel-contemplating and soul-searching. What do they have in common? Nothing much, except that sex will unite them, ambition part them before true love is born between them at last.
Having defied the ban on Creon and offered a burial to Polynice, her treacherous homeland brother, Antigone is condemned to a slow death in a stone tomb, despite the interposition of Hémon, her fiance, the son of Creon . Nevertheless, Creon ends up following the advice of his diviner Tiresias and, fearing the wrath of the gods, buries Polynices with dignity. When he is about to free Antigone, the young woman had already hanged herself. Mad with pain, Hémon commits suicide by his side.
Brett Dean's multi-award-winning opera received its world premiere at Glyndebourne Festival 2017. The world premiere recording of Brett Deans new opera based on Shakespeares best-known tragedy: To be, or not to be. This is Hamlets dilemma, and the essence of Shakespeares most famous and arguably greatest work, given new life in operatic form in this original Glyndebourne commission. Thoughts of murder and revenge drive Hamlet when he learns that it was his uncle Claudius who killed his father, the King of Denmark, then seized his fathers crown and wife. But Hamlets vengeance vies with the question: is suicide a morally valid deed in an unbearably painful world?
María, a 17-year-old Kaqchikel Maya, lives with her parents on a coffee plantation at the foot of an active volcano. She is set to be married to the farm's foreman. But María longs to discover the world on the other side of the mountain, a place she cannot even imagine. And so she seduces a coffee-harvester who wants to escape to the USA. When this man leaves her behind, María discovers her own world and culture anew.
Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.
Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.
Tolla is an unemployed translator whose wife is leaving him. Despondent and weak, he submits to the suggestion of an acquaintance to have a contract placed on the man that his wife is seeing. Instead, however, he arranges for the hit to be placed on himself. Before the contract is executed, he develops a relationship with a prostitute, and then changes his mind. In order to survive he takes the obvious course of action, which turns out to have possibly been unnecessary, and then he must deal with the guilt.
When a train unexpectedly starts up, taking only pets with it, the animals discover that Hans, a badger with a grudge is behind it all. While the crash seems inevitable, the animals can count on Falcon, a roguish Raccoon who will do anything to save them.
A legendary but retired hit man lives in peace and isolation in the barren North American wilderness. When he rescues a woman from a snowmobiling accident, he soon discovers that she's harboring a secret that forces him to return to his lethal ways.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
Boris and Sandra meet and immediately love each other with a lively passion. Enough to help them fight the best enemy of their love: addiction. That of Boris on drugs, that of Sandra in Boris. Linked, attached to each other, reclusive but alive, they will try to live their love in a closed circuit. In doing so, everyone will discover in themselves an unexpected strength and humanity.
Summer 1969 on the Mediterranean coast. Paul and Vincent are childhood buddies. On a beach one day, they meet Alice and her friend Eve. After a series of memorable adventures, couples fall into place but not quite in the right order. Alice blossoms elsewhere, Paul marries Eve and Vincent weds Marie. The 70s are in full swing. Thanks to the pill, women's lives change radically, sexology is in, feminists's voices can be heard loud and clear but unrestricted and free access to abortion has yet to be attained. Against the backtop of a decade marked by sexual liberation, these three girls and two boys will cross each other's paths, love one another, split up and reunite.
Chiara was an extroverted and sociable teenager: at church and then at the communal cemetery, tributes from her family and classmates followed one after another to honour the one who paid for her death with a "MACRON MUST QUIT" tag affixed to a wall in her high school.
While diving in a remote French lake, a couple of YouTubers who specialise in underwater exploration videos discover a house submerged in the deep waters. What was initially a unique finding soon turns into a nightmare when they discover that the house was the scene of atrocious crimes. Trapped, with their oxygen reserves falling dangerously, they realise the worst is yet to come: they are not alone in the house.
When Anna disappears suddenly and without leaving a trace, the police feel it was probably deliberate. But her husband refuses to believe it. And rightly so, someone had tried to murder Anna. Saved by a local from the mountains, she wakes up in the Pyrenees, with no memory at all.
Eka and Natia leave their childhood behind and ignore societal customs to escape from their turbulent family lives.
Raoul is a 20 years old student in Paris. Girls are not interested in him, though he is good-looking. He wonders why. Raoul does not look for a great passion, he only wants to be kissed. We will follow his love tribulations.
