Samouraïs 2002
An ageless Demon Warrior is magically impregnated into the womb of a Parisian Kung-Fu Master's girlfriend. But what is the Demon's relationship with a new-release blockbuster fighting game?
An ageless Demon Warrior is magically impregnated into the womb of a Parisian Kung-Fu Master's girlfriend. But what is the Demon's relationship with a new-release blockbuster fighting game?
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
When Maria thinks she's at the bottom of the barrel, she discovers that this barrel has a double bottom: no job, no money, no worthy accomplishment and now a dying mother begging her to do something with her life. before his death! She has no other choice but to get back in hand and find a career ... But what can she do with a 7-year-old BAC in communication and no work experience? Believe it or not, she can become a substitute in a high school! Thus, Maria, 30, as responsible and stable as a 14-year-old teenager, returns to high school in the role of the one to whom she threw pieces of erasers: the replacement. Too jaded teachers, rebellious teenagers, intimidated or not sufficiently denounced, she will be confronted with the reality of teachers and young people today and, who knows, may discover a vocation.
The unfaithful wife of an airplane manufacturer is abandoned by her lover, a famous aviator, and kills herself. The widowed husband vows revenge on the aviator.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
Based on the Greek myth of Narcissus and Echo, Foldes employed live-action photography and visual feedback synthesizers from France's Computer Image Corporation to tell the tale in a disquieting, psychedelic manner.
In a world where books and cars share a sales floor, a misanthropic and immortal bookselling demon is forced to team up with a young, enthusiastic human assistant to save his bookstore.
Ruined by his competitor, the banker Saccard decides to set up a new business.
Québexit is a multi-lingual (English, French, Cree) ensemble political comedy: when a transnational pipeline leads to a successful third Québec sovereignty referendum, a small road at the Québec-New Brunswick border becomes a lighting rod of conflict between the new Québec military, the Canadian Armed Forces and two indigenous women who traverse the border frequently.
Biopic of Louis Cyr, strongest man in the world at the end of the 19th Century.
Kathy, a rebel and reserved teenager, wants only one thing: to escape from the psychiatric institution where she was locked up. She soon escapes and searches for her father, the only person who can free her from her prison. To make things a little more complicated, her roommates, Nabila and Carole, join Kathy in the escape.
A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.
Stereotypes is a Canadian fantasy short film, directed by Jean-Marc Vallée and released in 1991.[ The film centres on a woman who turns into a monster, and plunges her husband into a surreal alternate world, after he cheats on her.
When a feared judge of the French court, Xavier Racine, encounters a French-Danish juror, Ditte Lorensen-Coteret, at a murder trial, their shared past is slowly uncovered.
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.