On November 6, 1975, a few days before the death of dictator Francisco Franco, the Spanish version of the rock opera Jesus Christ Superstar, originally written by Tim Rice and composed by Andrew Lloyd Webber, premiers in Madrid, starring and produced by singer Camilo Sesto, a controversial work that became a mass phenomenon.
Returning home, Ross Logan immediately gets into conflict with the Carranza gang, which had just crossed the Mexican border and has occupied a nearby Hacienda. After his brother is killed he plans a cold blooded revenge for which he separates the gang's most dangerous members by using their individual weak points and the general discordance amongst them. The time for the final confrontation is set by the astronomically interested Logan amidst an eclipse.
Melissa is a paralysed woman who is being taken care of by her two sisters. Their father was mysteriously killed when she was still a child. Somehow Melissa got it in her head, that her father is still able to speak to her, and wants her to punish those responsible for his death.
It tells the adventures of a tailor, played by the comedian Morvello, who believes he has won the lottery. There comes a succession of scenes of the protagonist turned millionaire, who is abruptly frustrated when going to collect his prize when he discovers with surprise that he has got the wrong number (In the book “Chilean Silent Cinema”. Eliana Jara Donoso. Santiago, 1994) Film restored by the National Cinematheque of Chile.
Martín Garabal is the best employee of Garabal and sons, his father's real state agency. Leonardo envies him deeply, Tomás admires him and Eva loves him. But something is wrong, the world seems to be telling Martín that he should take a different path. Martín doesn't listen because he's worried about his dad but, where is he?
Three boys and two girls go backpacking from the city to a paradisiacal island. There they rent motorcycles, travel around the prettiest and most remote spots, camp out in the woods, on a coastal cliff, get drunk and swim in the sea. The following day they enter a deep, maze-like cave to explore it and get lost inside.
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
A parade of musical paintings that includes fragments of Argentine films and a Proartel television program that Channel 13 broadcast in 1965.
“Entre el grito y la celda” is a film adaptation of the theatrical monologue “Lolita", which has been performed locally and internationally for the past 11 years, with over 60 performances in 5 countries, 5 states in North America, and more than 40 municipalities in Puerto Rico. The story is set in late 1954, when political prisoner Lolita Lebrón had already been sentenced to 50 years in prison at the federal prison in Alderson, West Virginia, for leading an attack on the United States Congress. The film explores Lolita's life and patriotic thoughts through poetic language, intertwining her three most significant aspects: her fervent religiosity, her fight for justice from the perspective of a young woman and mother, and her patriotic bravery to risk her freedom for causes and values she firmly believed in. The movie highlights the themes of national identity and the struggles of a resilient woman who became, for many, the Mother of the Puerto Rican Nation.
A thief going to rob an unscrupulous industrialist falls in love with a young woman and turns himself in to the police to save a thief friend.
“Terror en el tren de la medianoche” is an extremely obscure Spanish horror movie which is as rare as they come. The “Twilight Zone”-ish plot centres around middle-aged and balding station master Ruben, who is plagued by the vision of ghostly train. The train is always arriving at midnight to the accompaniment of eerie music whenever somebody in town has died. Swearing local priest Don Carmelo is skeptical. The main performance of Rafael Hernandez is competent and there is a bit of soft nudity provided by lovely Mari Paz Pondal.
Wacky rich woman subjects her husband, servants and friends to a series of elaborate masquerades, remodeling her house and wardrobe every couple of days to represent different historical eras or cultural milieux. Today she's Marie Antoinette, tomorrow she may be Pancho Villa's common-law wife or a nun.
Linda Dackman has been diagnosed with breast cancer, but this does not prevent her from seeing the positive side of life and continuing her quest for Prince Charming.
A policewoman returns with her young daughter to her hometown to care for her dying mother. The murder of a young girl will keep her there longer than expected. She will try to solve a case that no one seems to care about, risking everything on the path.
Raul is torn between life and death, while he is traveling through infernal labyrinths.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
After being falsely accused of a terrible crime, Hector, a man with a neurological disability, goes to a secret prison. His goodness conquers the prisoners, who plan to prove their innocence.
A choral story where characters of different statuses and generations cross paths in an attempt to find happiness and alleviate the loneliness that crushes some of them. In a 12-storey building, neighbors and newcomers intersect, and in these encounters the destiny of some will be twisted and that of others will take better paths. A few blocks away, in another building, two septuagenarians struggle to get the company of a couple who are in a fight against the clock for a few square meters.
Based on the poetry of Alejandra Pizarnik, ”Vertigo, or contemplation of something that falls”, tells the story of the writer's life through stories from her family, friends and admirers.
El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.
A Mexican telenovela based on the Argentinean telenovela Los Roldán.
Rosendo Arango, the owner of Grupo La Anita, is married to Alfonsina. They have one son, Damian. Estefanía Bouvier is married to Augusto Castanon and they have one daughter, Elisa. Rosendo cheats on his wife with Carmina Bouvier, Estefanía's sister. Damian and Elisa become friends because Augusto and Rosendo were best friends. But one day, Rosendo and Carmina try to go away from La Ermita, the pueblo in which they live in. But, Estefanía, who had found out about their plans, wants to prevent this, shuts Carmina in her room and then goes with Rosendo in his car, trying to convince him not to run away with Carmina. They have an accident and die and everyone thinks they were lovers.
Fernando Lascurain is a wealthy businessman and recent widower, attempting to raise his seven unruly children. He seeks the assistance of a new nanny. He hires and falls in love with Ana Leal, a struggling exotic dancer who tries to hide her double life. Although Ana lacks experience and a refined education, she quickly bonds with the Lascurain children. Ana dreams of being a mother, but when her home is destroyed following an accident, she must borrow money from her ruthless boss at "Chicago", the night club where she is secretly employed. When Fernando simultaneously falls for Ana and Isabela, an economist and sophisticated woman who is trained by her mother to marry a millionaire, he must choose between both women.
Dos mujeres, un camino is a Mexican telenovela, produced by Televisa, which originally aired from August 2, 1993 to July 1, 1994, on Canal de las Estrellas.
Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.
The story of the Baladro sisters, known as “Las Poquianchis”, who built a brothel empire and became merciless killers in 1960s Mexico.
Carrusel is a Mexican telenovela, produced by and first broadcast on Televisa in 1989. It covers daily life in a Mexican elementary school and the children's relationships with a charismatic teacher named Jimena. Among other plot devices, it deals with the differences between the upper and lower classes of Mexican society — specifically as seen in a romantic relationship between Cirilo, a poor black boy, and a spoiled rich girl, Maria Joaquina Villaseñor.
The story of two siblings who witness the murder of their parents in the hands of one of the drug cartels in Mexico, after which Alejandro Ferrer's younger sister is kidnapped. 25 years later, Alejandro is now the captain of the Federal Police and seeks revenge against the narcos for destroying his family.
Educando a Nina is the story of two identical twin sisters separated at birth, who lead opposite lives and are unaware of each other's existence. While Mara was born into a world of luxury, Nina is a dancer and chorus girl, waiting for the moment when life will give her an opportunity. When Mara gets arrested in Ibiza, Nina is offered the job of replacing her while she's away.
Porque el Amor Manda is a 2012 Mexican telenovela produced by Juan Osorio for Televisa. It is a remake of the Colombian telenovela El secretario, produced by Juan Andrés Flórez in 2011. Fernando Colunga and Blanca Soto star as the protagonists Claudia Álvarez stars as the antagonist.
A casual encounter between Adriana and Sergio, two former high school friends, triggers the beginning of the game of the keys where four couples generate new sexual and emotional combinations in a dangerous and lustful game. The game consists of everyone putting their keys in a bowl. At random, each one chooses some keys and he must go to spend the night with the owner of the keys. This game will revolutionize the group of friends and their lives. It will make them discover who they are and what they really want.
A wealthy matriarch tries to maintain her family's facade of perfection after her husband's mistress exposes their dirty secrets.
¡Vivan los niños! is a Mexican telenovela for children that premiered in 2002. It ran for 155 episodes and finished in 2003. The opening, Vivan los niños, was recorded by the Latin pop group OV7. One of its closing themes, also entitled Vivan los niños, was performed by Cuban-American singer and songwriter Ana Cristina. The show is a version of the Argentinian telenovela "Jacinta Pichimahuida, la maestra que no se olvida". The series starred Andrea Legarreta as 2nd grade teacher Lupita Gómez. After the series ended, Andrea became the long-time host of the morning talk show Hoy. On July 12, 2012, in celebration of Andrea's birthday, the producers of Hoy reunited her with the young actors who played her students on the series.
Amor Mío is a Spanish language comedy telecomedy, produced in Argentina by Telefe and for Mexico by Televisa. This romantic comedy features Abril Juárez and Marcos Sinclair, two singles who are forced to share an apartment in Buenos Aires even though they cannot stand each other. The show is also known as Loony Love and My Sweet Love.
Cómplices al Rescate is a Mexican telenovela starring Belinda as two twins who were separated at birth.
Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.
Clara and Luca are two teenagers who fall in love through music. She wants to be famous and so that her parents don't find out that she is participating in a contest, she calls herself Roxy-Pop. Luca is in love with Clara but doesn't know that she and Roxy-Pop are the same person.
A comedy series about a divorced dad who likes younger women, and his son who likes older women.
