Years have passed since the brothers have separated in their different ways of life. But one day, a ghost from the past returns to cast a shadow over the sons of Rizk, forcing them to return to a life of crime and theft once again in order to save themselves, in a fateful operation that is the largest, most dangerous, and most important in the history of the sons of Rizk.
The story of a family divided ideologically and politically in Algeria in the 1990s, under the helpless gaze of the mother, played by the brilliant Doudja Achachi, the bearer of centuries-old traditions.
Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.
Wolves That Do Not Eat Meat is an Arabic narrative film from the adventure and suspense films produced in 1973, represented by Izzat Al-Alayli in the role of "Anwar", Nahed Sharif in the role of "Thuraya" and Mohsen Sarhan in the role of "Saleh", and from Kuwait Muhammad Al-Mansour in the role of "Al-Saffah" Khaled Al-Saqabi in the role of “The Officer” and Ali Al-Mufidi in the role of “Al-Akhras”, and from Lebanon Silvana Badrakhan in the role of “Linda” and Les Sirkisian or actress Iman as she was known later in the role of “Nihad”. And directed by Samir A. Khouri. All the movie clips were shot in the State of Kuwait.
Four tragicomic interconnected stories about how devoted Muslim men and women are trying to manage their love life and desires without breaking any religious rules.
A wrongfully convicted man falls in love with his fellow inmate. They decide to get married after their release and seek revenge on a corrupt businessman.
Seeking a change, history teacher Allam transfers to a school in the desert, but his new life comes with more obstacles than he bargained for.
A young Palestinian woman reunites with her long lost brother in Tel Aviv, but her hopes of a happy reunion are shattered when she discovers the truth behind his exiled existence.
At a strict girls school, a mysterious fire blazes out of control. Now everyone's questioning whether it was an accident — or arson.
For an estimated population of 4 million, Lebanon boasts some 200,000 foreign domestic workers, contracted under a system of full custodianship that deprives them of basic rights. Implemented since the start of the civil war (1975), this system is borrowed from similar ones in the Gulf countries. It is predicated on a transaction whereby the worker is not providing a service, but is rather commodified as a product, with specialised agencies organising their import under conditions not unlike modern-day outposts of slavery. Director Maher Abi Samra places his camera inside the offices of the El Raed agency with the full complicity of its owner Zein. Diligently, unobtrusively, he observes and probes. The components of this state-sanctioned system come undone methodically
Suburb of Algiers, 1994. Anya, 7 years old, lives her life as a little girl, largely unaware of the tensions of the civil war tearing the country apart. She has only one wish: for her father, a journalist on a mission, to return in time for the Mouloud celebration. But the harsh reality gradually seeps into her daily life, causing her childhood innocence to waver.
Le Regard is Nour-Eddine Lakhmari's first film. It is a film about abuse of power, guilt, and redemption. In Le Regard, 70-year-old French photographer Albert Tueis finds himself confronted with his past. As he prepares for an exhibition that will bring together all the works from his photographic career, he remembers the photos he took at the age of 19. A soldier during Morocco's war of independence, the young Albert was a photographer for the French army. The photos he took at the time were never published. One thing is clear: without these photos, the retrospective of his career will not be complete. Albert Tuies decides to return to Morocco to find the negatives he buried there. But he finds himself confronted with a new Morocco. And as he encounters the present and the rivalries and difficulties it hides, increasingly powerful and brutal images from the past resurface.
The movie is about a very naive young man, who wants to fix his house before it falls, but does not have the money, and rich girl who likes to spend money uncontrollably, whose father is scrooge, who would not give her access to her trust fund. In order to force her father to give her money, she stages a kidnapping with the assistance of her best friend and the naive young man, who ends up falling in love with her.
Ommi Traki is an elderly woman who is active and involved in everything, organizing everything in her family and neighborhood. Surrounding her are her husband Salah, who contentedly observes the results of his wife's interventions with a mocking air; her spoiled son Ali, a young man she still considers a child; the maid Zouzou; and others. The film is inspired by the famous Tunisian television series of the same name from the 1970s.
Fyzal Boulifa's Cannes winning and Bafta-nominated short is an allegory of emancipation inspired by his mother's experience growing up in Morocco. Produced by Gavin Humphries the film also won the Fujifilm Prize and was selected for Sundance.
When ISIS took their homes, families and city, one group of men fought to take it all back. Based on true events, this is the story of the Nineveh SWAT team, a renegade police unit who waged a guerrilla operation against ISIS in a desperate struggle to save their home city of Mosul.
A Syrian refugee adapts to life in an unfamiliar country after her husband's immigration visa is unexpectedly rejected.
Failed entrepreneur and struggling dad Sattam finds himself tangled in a madcap scheme when he decides to repay his debts — by kidnapping his own father.
Set in a near-future Saudi, this dystopian series tells stories of individuals living in a technologically immersed world where AI and instinct collide.
As his dream of opening a workshop to make glasses becomes difficult, Nabhan Saad El Diyk goes to his grandfather's old workshop, only to happen upon a blue pair of glasses that reveal things for what they truly are, landing him in a lot of comical situations.
In a social and romantic setting, the work tells the story of Yusr, who is full of vitality, love, and positive energy for everyone around her, but circumstances sometimes work against her, and fate reveals to her the betrayal of those closest to her, and she decides to confront them and expose their lies.
The program reviews the lives of Quran reciters and imams as well as their recitations.
Captain Sultan Al-Nahel works at sea and travels for long periods, which keeps him away from his wife and children for long periods. During one of his trips, he meets a woman named Nawal and enters into a romantic relationship with her. Major conflicts arise between his love for her and his commitment to his wife Khawla. Nawal tries to separate the captain from his family, and asks him to abandon his past and his family. When he returns to his family, events begin to explode with clashes between family duty and romantic desire.
The story of Lina who got kidnapped and separated from her family at a young age and the 20 years she spent at the mercy of her captor.
It tells the story of a Saudi family with limited income, consisting of Yarub and his sister Asrar and their grandfather. The family goes through strange adventures. Yarub is destined to face Al-Harith, who seeks to destroy the world, but Yarub does not know his fate.
Experience a new hilarious story every day, inspired by real-life moments in a typical Saudi community that are guaranteed to leave you in stitches!
A musical entertainment program presented by Hassan Al-Raddad, in which an elite group of stars compete in an atmosphere full of singing, fun, and challenges that test their musical knowledge and artistic talents.
