Oblíbený Z Tanzania, United Republic of

A black and a white woman meets in Dar es Salam because of their men, and starts a friendship, despite their different background.

In Old Moshi, Tanzania, a head is missing : the skull of Chief Meli, who fought the German colonial occupation of his territory and was executed in response to his resistance in 1900. This animated film, based on archival sources and oral accounts provided by Chief Meli's grandson, sheds light on the racist roots of physical anthropology and ethnological museums.

Shooting on 16mm film in Mozambique, director Ico Costa explores the textures of human behaviour as he follows young men who wonder what lies beyond their immediate surroundings. In the fragments of conversations captured in the Maputo market, a recording studio and on coconut trees, we find daily routines and tedium lead to chit-chat on desire, money and hope. In the interplay between performance and document, poetry emerges from fleeting everyday moments.

A young woman battles depression as her husband avoids both his and her issues.

In the distant future, a lone scientist makes a breakthrough discovery, called EONII, that may save the Nation and the Continent. Forces in the shadows begin to surface. Lies, Betrayal, Politics, and War, all to decide one thing, who should control the power of the EONII?

In the heart of the Democratic Republic of Congo, Furaha and Venantie, forge an unbreakable bond after experiencing unimaginable trauma. Together, they ignite a movement of empowerment that transcends their pain and inspires an entire community to reclaim their future.

Juma is a poor fisherman who loves telling tales. Amina is the girl who loves to hear his stories. They long to be together, but Amina's father, Ali, wants a better life for her. Ali thinks that he has found this in Yustus, a rich but self-serving young suitor.Juma must put everything on the line to save their love, but he must sacrifice more than he bargained for in order to succeed.

For a decade Kenya has been targeted by terrorist attacks of the Al-Shabaab. An atmosphere of anxiety and mistrust between Muslims and Christians is growing. Until in December 2015, Muslim bus passengers showed that solidarity can prevail.

A university student looks for a way to make quick and easy money and finds out that its not as easy as he imagined.

Temple Road is a journey into the heart of womanhood, taking its name from the road that leads to the temple in the director’s hometown of Nyeri, Kenya. Inspired by childhood experiences, including women-only ceremonies and family Polaroid photos taken between the 1950s and 1970s, the film recreates a woman’s spiritual and ritual preparation. Weaving a dreamlike narrative, it blends the rituals of Kenya’s Indian heritage with the diversity of Kenyan cultures, reflected in a multicultural cast and intertwined ceremonies. Celebrating the sanctity of community, it creates a sacred space where women express themselves freely through rituals, song, and dance. Temple Road is both a tribute to the past and a call to recognize women as bearers of culture and tradition amidst increasing violence against them in Kenya.

A team of elite African superheroes unites in an attempt to vanquish an ancient wizard who threatens to destroy the earth with a powerful mysterious artifact.

To save their real estate agency, an ambitious businesswoman and her entitled boss must convince an investor they're married -- despite hating each other.

A Kenyan film inspired by true events that led to Baby Pendo's tragic loss. It follows a boda rider who is on the run for fear of being falsely accused of the death of a 6-month old baby.

In the search of a livelihood, Juliana, a young mother, holds on to sanity by a thread, as her world is turned upside down.

Along the Kenya-Somali border, the Kenya Special Operations Forces who are training for their next mission receive word that the Assistant County Commissioner and two others have been abducted by the Al-Shabaab militia. A daring rescue mission begins, in which the military men must show all their skills.

A local company owned by a shrewd millionaire, Thabiti, offers young people the opportunity to find work abroad. Mvera, a self-centred woman who is on a mission to search for her lost mother, and also one of the applicants, soon discovers they are all trapped in an organ trafficking ring. She is forced on a hero’s journey as she tries to make it back home to warn the villagers about Thabiti.

Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.

Mozizi, a female anthropomorphic character (half Anopheles mosquito, half human) is on a quest to find a new ‘home’ after her breeding grounds have been destroyed by fumigation. She takes us through her day as she trounces through the urban scape of Dar es Salaam with a housing agent.

Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.

A blind man and a deaf woman fall in love with each other, but their disabilities cause major communication problems.