A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.
Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great.
A lost film. A man digging inside an Egyptian tomb chops up a mummy, then resurrects the woman inside it. This film is presumably lost.
Some men get into hijinks at a sidewalk cafe. There is no known credited director for this film, although the attribution usually goes for Alice Guy.
Shot at the Kubut-za in Tokyo and a rare record of two classical kubuki actors, Onoe Eizaburo V and Ichimura Kakuki-za VI, A surviving poster for this film is illustrated by a woodblock print of the lead actors by ukiyo-e artist Yutaka Hitoshi, a frozen moment of the incipient transition from traditional art-forms of ukiyo-e and kabuki to the new, and all-dominating medium of katsudo-shashin (cinema).
Arrival of Commander Marchand at Military Circle in Paris.
A bearded man hangs up a wreath and, like any good magician, waves his hands inside of it and under it to show us it's only a wreath…
Sovereigns and their suite passing in front of the monument to Victor Emmanuel II in Sassari.
Panorama of a mountainside railroad.
Watched by crowds, Sir Redvers Buller, Lady Buller, the Mayor of Southampton and others walk along the gangway leading to the ship towards the camera. Sir Redvers pauses to be introduced to one of the ship's officers before embarking. According to BFI programme notes, the filmmaker William K.L. Dickson can be seen bottom left, attempting to introduce himself to General Buller as he passes. Film companies were in competition to film reportage of the Boer War and Dickson was one of those filmmakers keen to do so.
Actuality film of miners entering a mine.
'Armed Robber Shimizu Sadakicchi' is considered Japan's debut film and came on the heels of the country obtaining its first film camera. It famously was only a couple of minutes' long as its film reel was only seventy feet long. It featured who is considered to be Japan's first film actor Unpei Yokoyama who was one of two actors in the film. It features one scene where a robber is apprehended by the police.
Within a printing (printing a test).
“This is a new negative showing the entire trip from Brooklyn to New York, in which the immense towers stand out clear and distinct against the sky. Positively the best picture of the Brooklyn Bridge yet secured.” (Edison film catalog)
Showing the rolling sea, upon which gradually appears a cloud of mist. From this evolves the figure of Christ, who proceeds to walk on the waves. The rolling movement of the water and the sudden apparition certainly give a most startling effect, illustrating the biblical miracle of Christ walking on the water.
A clergyman is startled by a group of automatons.
A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort.
