Populær Fra Lebanon

After a year apart, five friends reunite for a summer filled with laughter, late-night talks, and memories that feel too perfect to be real. But as the days pass, something unspoken lingers beneath the surface a quiet tension between joy and something long buried.

“Northern Rain” is a documentary that stems from the experience of the Moroccan association Assaida Al Horra and was made in collaboration with them. One of the association's many current projects is to recover the stories of some Moroccan women who participated in the struggle for the country's independence in the 1950s. The documentary focuses on these particular stories that make up Morocco's recent history. “Northern Rain” aims to show today's Moroccan women who seek their image in the mirror of time and who gratefully recover for the collective memory the history of struggle, risk, and courage of other women who until now remained hidden.

The best songs of Mary Souliman during her carrier.

For more than two decades, Dr. Hussam Abu Safiya served as a pediatrician in northern Gaza, rising to lead Kamal Adwan Hospital. Though he had many chances to leave, he chose to stay with his patients even as Israeli attacks escalated. With each passing month, the toll deepened. His son was killed, his hospital repeatedly struck, and his life threatened. Still, he remained at Kamal Adwan. His resilience was captured in a 10-second video: a lone pediatrician in a white coat walking through rubble toward Israeli forces. To the world, it symbolized defiance. To his family and colleagues, it reflected who he always was. Through firsthand testimony, archival footage, and on-the-ground reporting, Fault Lines investigates the assault on Kamal Adwan Hospital, the raid that led to Dr. Abu Safiya’s unlawful detention, and the broader targeting of Gaza’s healthcare system.

In Morocco, for years more and more women give birth outside of marriage, known as single mothers. In the predominantly Muslim country, this is still considered as a violation of law and religion but also of morals and traditions. The documentary JEWELS OF GRIEF explores this phenomenon with the biography of two single mothers in Morocco - Nadia and Nezha - who are ostracized by family, society and the state and suffer discrimination. Besides the two mothers in the film, also representatives of religion, humanitarian organizations, human rights groups and the Moroccan government state to speak. They explain their view of things, and illustrate the complexity of the dimensions of this phenomenon.

Sami and Mahmoud are getting ready to carry out their detailed plan on a typical day inside one of Amman's malls to steal an unusual gift from a lingerie store so that Sami can give it to his girlfriend. However, they failed to consider the store owners, who could have thwarted their plans.

This is the story of a carpenter and his wood. Every day, he touches it, shapes it, and gives it life. Through his hands, simple pieces of wood turn into something full of meaning, beauty, and soul.

The film captures the struggles of Sudanese revolutionaries after the October 2021 coup – a turning point that halted the revolution's progress and led to the current devastating war. Filmed over three years (2021-2023), including just weeks before the war began, it portrays life in Sudan during that turbulent time, blending scenes of peaceful daily life, protests, and resistance, especially during Ramadan and Bayram. Created by Sudanese activists and artists, the film sheds light on the overlooked causes of the war, challenging the narrative of a »civil war« and exposing deeper capitalist and colonial forces.

A short documentary by Saad Nadim documenting the relocation of the Philae temple complex from its original island to Agilkia as part of the UNESCO-led Aswan High Dam rescue efforts, preserving Egyptian heritage amid the flooding of Nubian lands.

A state-produced short documentary by veteran filmmaker Saad Nadim, "The 6th of October" commemorates the Egyptian military's heroism during the October War. The film features real footage from ceremonial parades, interviews with citizens, and articles from Israeli newspapers of the time, highlighting the significance of the victory.

Skin, the living covering that covers humans and animals, is not just an outer layer but a complex system that constantly protects and adapts. It is the first line of defense against danger and a means of camouflage in the wild. It is also adorned with feathers, scales, and bright colors to carry profound visual messages. More details are revealed in the documentary "The Story of Creatures' Skin."

A Kuwaiti play directed by Ali Al-Hussaini and written by Iraqi writer Qasim Al-Matroud was performed at the 12th Kuwait Theatre Festival. The play won several awards at the 12th Kuwait Theatre Festival, including Best Theatrical Performance, Best Direction, Best Supporting Actor for Issa Diab, Best Lighting for Faisal Al-Obaid, and Best Sound Effects for Walid Sarab.

A Palestinian mother-to-be in the Netherlands grapples with emotional and physical challenges during pregnancy. Through intimate reflections, she confronts pain, uncertainty, fear of bodily changes, and an identity crisis, all while challenging societal norms around motherhood. Torn between her personal struggles and the devastation in Gaza, she feels guilt and shame, questioning her right to feel pain and wrestling with her privilege while others endure unimaginable suffering.

This is the story of Buyema Abdelfatan, also known as Castro, an ex Saharan soldier that now a days runs a centre for disabled children in the refugee camp of Smara (Tindouf, Algeria). A personal project that has earned him both praise and criticism, but could not continue without his dedication, perseverance and humanitarian aid that he receives.

The film is about a girl who decides to move to another place away from the city in which she grew up. She bid farewell to her with a short trip during which she tries to free herself from the memories that burden her and make her question her decision to leave.

In the backseat of a car ride through the streets of Cairo, runs a one way dialogue where the language of a space or a film is inquired about. Intercutting the dialogue, a misfit, young ballerina, dwells in an unfinished interior of a house. She looks out of the windows onto the city. As the dialogue runs, the gaze of the ballerina and the camera replace one other interchangeably. Eventually, it is not identifiable of which the dialogue is indicative of.

Two people are working under the control of a computer and its orders.

A palestinian shepherd takes care of his goats.