Märksõna Czechoslovakia

Briti salaluure agent James Bond (Timothy Dalton) aitab vene salaagendil Georgi Koskov'il (Jeroen Krabbé) läände põgeneda, kuid Koskov röövitakse seal enda peamisest peidupaigast. Bond leiab jälje, mis viib ta veetleva Kara (Maryam d'Abo) juurde, kes aga oskab Bondiga sama hästi mängida, kui enda stradivari tsellol. Kui nad segavad loosse ka globaalse relva režiimi, on nad sunnitud osa võtma peadpööritavatest jälitustest, vanglasse sissemurdmisest ja võitlema Afganistaani kõrbes tankide, lennukite ja kohalike vabadusvõitlejatega.

Väikelinna vabatahtlike pritsimeeste iga-aastasel ballil otsivad peamiselt vanameestest tuletõrjujad (ühingu esimees on näiteks 86-aastane) sel puhul korraldatavale iludusvõistlusele noori neide. Sotsialistlikud provintsilikud missivõistlused muutuvad tragikoomiliseks, kui võitja leidmisel ütlevad pidevalt sõna sekka tüdrukute vanemad, ilu pole sugugi otsustav faktor ja ka tüdrukud ise on liiga ujedad, et lavale patseerima tulla. Lisaks puhkeb pidustuste ajal linnakeses viimaks ometi tulekahju, mille kustutamine aga pritsimeestele sugugi kontimööda pole. Kogu selle sagimise käigus pannakse tuuri balli puhuks suure surmaga välja võideldud defitsiitne söögipoolis ja auhinnad. Lääneski auhindu võitnud filmist kujunes üks põhjus, miks Forman läände pages. Esilinastus film ju samal ajal, kui Nõukogude tankide Praha kevade ajal tulid vabadust maha suruma.

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

Czech Century brings the key moments of the history of the Czech nation from 1918 to 1989.

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

Based on real characters and events, this haunting drama focuses on the personal sacrifice of a Prague history student, Jan Palach, who set himself on fire in protest against the Soviet occupation of Czechoslovakia in 1969. Dagmar Burešová, a young female lawyer, became part of his legacy by defending Jan's family in a trial against the communist government, a regime which tried to dishonour Palach’s sacrifice, a heroic action for the freedom of Czechoslovakia.

In this spy thriller, Marie and her husband Victor return from exile to Czechoslovakia on the cusp of the Velvet Revolution — but when the couple gets in a car accident, Marie wakes up from a coma to find her husband mysteriously gone.

A chronicle of the fall of the Austro-Hungarian empire and the rise of the Balkan states.

The mini-series are inspired by the real, albeit incredibly terrifying, events and actions that Ivan Roubal committed in the 1990s. Hynek Čermák is in the role of one of the biggest serial killers in Czechoslovak history.

Slniečko is a children's TV show about the sun, named Sunny (Slniečko), as well as characters like Raťafák Plachta (Big Nose Blanket), Ruky Rukaté, and Míma Valentína.

Jiří Markovic thought capturing Ladislav Hojer would be the defining case of his career. He was wrong. As communist Czechoslovakia prepares for the 1985 Spartakiad, an unpredictable serial killer terrorizes Prague. Under intense pressure from state authorities, Markovic and his team race against time to stop a murderer the entire country fears, testing the limits of justice, politics, and morality.