Herrikoia Noiztik Poland

A glance into the mirror encourages a young woman to gradually discover her carnality.

Arnold has been participating in a competition for unusual swimming equipment for twenty-three years and builds incredible boats and rafts every year. As always, the whole family supports him. Bozen's wife and two adult daughters Dagna and Marika help him build a new ship. However, from the very beginning, the design work is not going according to plan… In addition, Arnold decides to end his career and participate in the competition for the last time. He hopes that his family can get on the podium and win for the last time.

An old man in a twilight of his life longs for his greatest passion – flying. He does not remember people or events from the past anymore, but his feelings remain the same when he looks up at the sky. The former ace, now all that he has left are memories.

This wonderful Polish non-narrative animation takes as its theme the constriction and confinement in which we often find ourselves. Viewers will be able to consider when barriers and borders are and are not necessary.

A group of school friends are trying to prevent two mysterious women from searching for a missing teddy bear endowed with magical powers.

A fictional story about a husband and wife separated by huge distance, space and time. While living on two different surfaces they have to confront the reality surrounding them trying to find the meaning of the vague situation they have been thrown into.

In order to confront her unfaithful partner, a young woman embarks on a lonely journey throughout the city, and with each subsequent street it becomes more stifling and unsympathetic.

Propaganda film about Polish diaspora and their settlement in Paraná, Brazil.

Produced by Social Communication Factory

Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.

“The End The End” shows an interest in the film-making process as a subject. The motif of closed composition is of a circular nature, in which the end signifies the return to the point of departure, and is frequently employed by the artist.

Picture of a fight between two women in which the victim is a judge - a man. 'Re-discovered' film by Jadwiga Singer.

Using a felt-tip pen, Partum draws geometric figures on a TV screen which displays a news broadcast filled with propaganda delivered by the country’s counter-revolutionary party leaders. The artist lays bare the propaganda message of the media and their ideologisation.

Two siblings watched by their grandfather sit at the table and struggles to finish their soup. The children don't want to eat, they scoop the soup up reluctantly, looking for a possible way to break free from the table. When the door opens, and the bright light hits the room, the children run out and find themselves in a completely different reality.

Every traveler knows this feeling: moving landscape, rhythmical rumble of the train and a head full of thoughts. Time slows down encouraging an inner journey, as a lonely woman sinks deeper and deeper into her memories. She is traveling to her family: to an absent husband and her child whom she can't learn to miss. She's coming back but in her thoughts she's traveling again. Space-time turns, departures and returns mix into a confusing life journey. In the empty train drama slowly evolves.