Urtea 1925 - 3

David Sheldon owns a plantation in the Solomon Islands. Many of his field hands die of blackwater fever, and then he becomes sick himself. Joan Lackland, a female soldier of fortune, arrives by schooner in the islands. With the help of her Kanaka crew, she protects David from an attack by the natives who are led by Googomy. Joan nurses David back to health and becomes his business partner, protecting his mortgaged property from two avaricious moneylenders. Seeking vengeance, the moneylenders incite the natives to revolt.

With an international chess tournament in progress, a young man becomes completely obsessed with the game. His fiancée has no interest in it, and becomes frustrated and depressed by his neglect of her, but wherever she goes she finds that she cannot escape chess. On the brink of giving up, she meets the world champion, Capablanca himself, with interesting results.

While his wife is away, the husband attempts to clean the house which ends up being a disaster. The house is completely destroyed by an overflowing bathtub, fire in the kitchen, feathers from the pillows everywhere, and a dog decides to chase a cat around the house wiping out what the water and fire didn't damage already.

Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.

This story deals with a man, who causes his wife great jealousy on account of his relation to other women, yet who regards himself as a man of destiny in settling others unhappy marital relations. He is named co-respondent in a suit - leaves town - takes a house in a smaller village - picks up a little girl on the street in his car and drives into the country.

"Bilge" Smith (Richard Barthelmess), a tough sailor, meets Connie Martin (Dorothy Mackaill), a seamstress in a small harbor who has never had a boyfriend. Connie is instantly smitten. She invites Smith to dinner, where he dances with her and gives her a kiss. Connie has a hard time letting him go, and makes him promise that he will come back.

Stan Laurel before Laurel and Hardy, in this "Dr Jekyll and Mr Hyde"-inspired story, which was released 30 July 1925.

An American soldier falls in love with a French maiden but their romance is thwarted when the Yanks return home. Years later she comes to America to put on a fashion show and find her long lost lover.

The two sons of a poor Russian-Jewish pushcart peddler on New York's Lower East Side are causing their father grief. As Morris and Sammy stray from traditions cherished by their parents, each generation learns to accept change to preserve the family as a source of love and respect.

The snooty Fernanda decides to leave Spain to visit her uncle in San Francisco in order to escape the attentions of the dandy, amorous Don Diego, but he follows her. She is rescued from a wild taxi ride by a passerby who owns a huge plumbing company. Believing him to be a common plumber, she snubs him, but he pursues her and a romantic rivalry is born.

With little luck at keeping a job in the city a New Yorker tries work in the country and eventually finds his way leading a herd of cattle to the West Coast.

An unathletic college freshman ridiculed by his peers for his mannerisms strives to become popular by making the football team.

Hurry, Doctor! is a 1925 comedy short

Compromise is a silent film drama produced and distributed by Warner Bros. and directed by Alan Crosland. The film is now thought to be a lost film.

A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood. Preserved by the Academy Film Archive, in partnership with the Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division, in 2014.

Illustration of the ballad of the same name by Karel Jaromír Erben.

A French captain persuades a rich widow to become his mistress, but it is a scheme to test her love.

The story, set in the 19th century, revolves around the hot-blooded Jussi, a young farmer, and his friend Antti and their brushes with the local nimismies (sheriff) and the häjyt (badmen). The film, shot on location on the plains of Ostrobothnia, conveys a good sense of its unique landscape. Both Järviluoma and the director, Jalmari Lahdensuo were from Ostrobothnia and the film suc­cessfully expresses a feeling of the true spirit of the province.