The year is 2156. The civilization you know more does not exist. All this was preceded by wars. Natural disasters of great magnitude. Now the rule ... that there is no rule, the law does not exist. There is only hunger, death and hunting ...
A TV movie about the Turkish satirist and the anecdotes surrounding him.
Everybody knows that 130,000 prisoners are held behind barbed wires in Bosnia-Herzegovina. Is it enough to bring them an humanitarian aid so that they can die without being starved any longer?
During the 1990s, an unnamed protagonist lives with his dying mother and elderly father in the Sarajevo neighborhood of Dobrinja. One seemingly ordinary day in 1992, the Serbian siege of the city begins and he ends up being trapped within the confines of the neighborhood of Grbavica, where he hides away from the enemy forces and artillery fire in a small apartment owned by his family. During his stay in Grbavica, he quickly bonds with a young man he calls The Musician and falls in love with a young woman whose forced to prostitute herself in order to be able to provide care for her ailing grandmother.
An investigation on the memory of an event that occurred on April 3, 1994 ithe midst of the Bosnian War.
A journey retracing my sisters’ 1992–93 displacement from Sarajevo through Bosnia and Croatia, guided by a childhood war diary.
Documentary film "O(P)STANAK", a story about music, resistance and the power of togetherness during the 1201 days of the siege of Bihać. The film follows the group Okus Meda and Bihać musicians who, in the hardest days of the war - amidst shells and ruins - created music that brought hope, laughter and humanity. Through archival footage, honest interviews and testimonies, the film reveals how music became the mainstay of a city that did not have much, but had a soul. This film is more than a document of a time. This is Duratović's personal dedication to his father and the band Okus Meda, the people who shaped his life with their example, deeds and songs.
Every scene was filmed from a window. No actors. Real facial expressions. Real emotions.
An attempt to make a short film about a traditional Kosovar face painter in an ethnic Bosnian village.
Young man Damir finds himself in a very difficult situation due to drug and psychedelic substance abuse. His mental and physical health has already deteriorated significantly. His situation is further worsened by his dependence on the people who supply him with narcotics. Of course, he cannot resolve any of the unpleasant situations in his life by taking any kind of substance. He completely loses control over his life, and at the moment he meets a girl who could be his never-found happiness and who could love him, it becomes too late...
After 7 years since “Tokyo-Morava”, Moku and Bekim were filming at Brčko. Based on “Tvoj sin Huckleberry Finn”.
Diary inquiries collected over four years documenting the process a person goes through while exploring and getting familiar with their core existence, resulting in finding inner peace. An auto portrait serving as a mirror for anymore to reflect on it, serving as an endless field for anyone to run in it.
Bosnia and Herzegovina / Ema (8), wanting to stay out a bit longer with her friends at the park, decides to ask her mother Anja (29) for permission. On her way home, she encounters an older man who tries to touch her inappropriately in the elevator. Ema manages to escape and reaches her mother, who tries to explain what happened in the best and least painful way possible. Despite the good relationship between mother and daughter and their productive conversation, some things simply remain in their memory.
Documentary, featuring a project of the artist Irena Pejcic. The Project adresses the situation of landmines and their consequenzes to the population in general, particularly in Bosnia and Herzegovina
A retired anatomy professor lives in his cabinet on Medicine Faculty in Belgrade. He travels every week to other country to teach anatomy at Private University in small town. In 10 square meters room he continues on doing research in neuroscience, while he spends his free time with his daughters.
The author uses his home movies and photographs taken at significant moments of his life that had shaped him into the man he is today. The film presents his innocent childhood, his love for his profession, his first encounters with camera and his experiences during the war that forced him out of his home. The war turned a boy into a soldier and left victims in its wake - both death and alive - as well as memories that provoke tears and anger, but also laughter. The war also defined his take on life and almost destroyed his dreams.
An artist decides to end his craft.
Glasgow during lockdown: Empty streets, empty roads, playparks devoid of life with a population hiding indoors. Juxtaposed alongside this footage is an audio voiceover read by a survivor of the 1992 – 1995 Sarajevo siege in Bosnia. They describe their city in lockdown, day to day life, their challenges, thoughts, fears and their hopes. The voiceover could easily be that of a Glaswegian in Spring 2020. There are striking similarities between this wartime siege and the lockdown experienced in Glasgow. Just as in Sarajevo, our freedom of movement was very limited – we couldn't travel, go to pubs and restaurants, children couldn't go to school.
Mevlo Alić is a shepherd from a small village Vozuća in Bosnia and Herzegowina. In order to earn enough money for a diecent living, he breeds and sells his sheep to nearby customers. With time, sheep breeding becomes less of a job and a source of income and becomes more of a family enviroment. Mevlo takes care of his sheep as any parent figure would to their child. Mevlo takes his sheep walking, talks to them, drinks coffee with them enjoying every moment of his simple yet fulfilled life. After a crippled sheep Bjelko is born, Mevlo decides to take intensive care of him knowing Bjelko wouldn't be financially benefitial, fulfilling every human beings need – to feel needed, to have a sense of belonging.
