محبوب از جانب Bolivia

An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.

Como El Viento is a penetrating and realistic drama which threads the universal feelings of fear, hope and loss in a tense and dramatic two-hour ferry crossing between Morocco and Spain.

A choral story where characters of different statuses and generations cross paths in an attempt to find happiness and alleviate the loneliness that crushes some of them. In a 12-storey building, neighbors and newcomers intersect, and in these encounters the destiny of some will be twisted and that of others will take better paths. A few blocks away, in another building, two septuagenarians struggle to get the company of a couple who are in a fight against the clock for a few square meters.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

"It's an everyday universe that exists 7 feet over our heads. They are city birds that you can find in every tree or every corner." Juan: a sparrow that feels ordinary and underestimates his own race. Accidentally, he changes the way he looks, and the same reason that will make him feel unique is what is going to put his life in danger. Feifi: a beautiful canary that manages to escape from the cage of a network tycoon (Mr. Puertas), and starts trying a new life in freedom, as a common bird. Both of them will need to be something that they aren't and will face danger and adventures with their friends (Libia, the Pidgeon; Pipo, the Humming Bird; Clarita, the Bat; and some more). A clumsy cat, some psyco Southern Lapwings and Mr. Puertas will make everything even harder for them. Juan and Feifi will try to shape their destiny to feel truly free. Written by Anonymous

A good-natured man has an unexpected deadly confrontation. Instincts kick in to clean up the mess caused in the name of self-defense but does one really get away free after killing someone?

Murders take place in and around a hotel. Debuted on Mexican TV.

The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.

Cielo is a mother whose teenage daughter is kidnapped in Northern Mexico. When the authorities offer no support in the search, Cielo takes matters into her own hands and transforms from housewife into a vengeful militant.

Inspired by the short stories of Julio Cortázar, Lynne Sachs creates an experimental narrative about a group of girls on the verge of adolescence. While their lives are blissful and full of play, the political and social unrest of contemporary Argentina begins to invade their idyllic existence. Sachs’ brilliant mixture of film formats complements the shifts in mood from innocent amusement to protest

Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.