محبوب از جانب Congo, The Democratic Republic of the

A black and a white woman meets in Dar es Salam because of their men, and starts a friendship, despite their different background.

Eleven-year-old Aisha wants to fish for a living, but her mother thinks that fishing should be left to men. Aisha’s life transforms when fisherman Hassan decides to teach her how to fish.

Thirteen-year-old Grace lives with her parents and eight siblings in rural Kenya. Rain means everything to this family because it makes the crops grow and provides food.

Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.

Temple Road is a journey into the heart of womanhood, taking its name from the road that leads to the temple in the director’s hometown of Nyeri, Kenya. Inspired by childhood experiences, including women-only ceremonies and family Polaroid photos taken between the 1950s and 1970s, the film recreates a woman’s spiritual and ritual preparation. Weaving a dreamlike narrative, it blends the rituals of Kenya’s Indian heritage with the diversity of Kenyan cultures, reflected in a multicultural cast and intertwined ceremonies. Celebrating the sanctity of community, it creates a sacred space where women express themselves freely through rituals, song, and dance. Temple Road is both a tribute to the past and a call to recognize women as bearers of culture and tradition amidst increasing violence against them in Kenya.

After the passing of her estranged father, Fatima makes an unlikely friend at a hospital, Maria. Bound by pain, Fatima keeps coming back to hear Maria's tale of the T-junction where she found love and loss in a ragtag community.

A local company owned by a shrewd millionaire, Thabiti, offers young people the opportunity to find work abroad. Mvera, a self-centred woman who is on a mission to search for her lost mother, and also one of the applicants, soon discovers they are all trapped in an organ trafficking ring. She is forced on a hero’s journey as she tries to make it back home to warn the villagers about Thabiti.

In Old Moshi, Tanzania, a head is missing : the skull of Chief Meli, who fought the German colonial occupation of his territory and was executed in response to his resistance in 1900. This animated film, based on archival sources and oral accounts provided by Chief Meli's grandson, sheds light on the racist roots of physical anthropology and ethnological museums.

An action movie about hunting animals.

A woman single-handedly shoulders her family's burdens, without reward or thanks, to farm her husband's land and keep the family fed and cared for. She finds herself training her daughter to walk the same path she does. No school, all work. Pests threaten her harvest and are exterminated using a loan from the local women's Co-op. But when Manyusi squanders her prized harvest and schemes to marry off their daughter, Fatuma must enlist the help of her fellow ladies at the co-op to make things right.

A group of prisoners trapped in a crashed prison bus strive to stay alive when they realize there is a mysterious killer lurking in the shadows.

Evokes the personal trajectory of a Tanzanian Massai woman refusing genital mutilation. Directed by two NGO volunteers from Luxemburg working on a development project in Tanzania. Released in 2009, this film has been broadcasted since in various film festivals in Europe, on the occasion of different AR actions in Luxemburg and on national television (RTL).

Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.

In this drama that morphs into documentary, the lives of 3 men in Mombasa intertwine as one of them falls victim to radicalization.

In the search of a livelihood, Juliana, a young mother, holds on to sanity by a thread, as her world is turned upside down.

The Democratic Republic of Congo (DRC) is the world’s largest producer of cobalt, a rare earth mineral that is essential in the production of technologies. In this hybrid documentary, South African artists Francois Knoetze and Amy Louise Wilson, together with Congolese historian Joe-Yves Salankang Sa-Ngol, trace the trans-continental journey of this precious metal: from its violent extraction in the mines of DRC to its sale on global stock markets. The Rock Speaks weaves a complex contemplation on an urgent ecological crisis that is fuelled by obscene labour practices that our technological systems demand.

A humorous satire about a Kenyan charlatan who claims to be a “miracle healer”.

Wanjugu Kimathi is the daughter of Dedan Kimathi, legendary leader of the Kenyan Land and Freedom Army, or Mau Mau. This resistance group fought the British colonial regime from 1952 to 1960 to stop it from confiscating land, a conflict known as the Mau Mau Rebellion. In 1957, the British authorities hanged Dedan for possession of firearms, and then dumped his body at an unknown location.

A blind man and a deaf woman fall in love with each other, but their disabilities cause major communication problems.

Mozizi, a female anthropomorphic character (half Anopheles mosquito, half human) is on a quest to find a new ‘home’ after her breeding grounds have been destroyed by fumigation. She takes us through her day as she trounces through the urban scape of Dar es Salaam with a housing agent.