In the Visionarium, the Timekeeper is a robot testing a new time machine. Because of the potential dangers, he sends his assistant, the robot 9-Eyes, into the machine. The test works and she travels through all eras. Arriving in the nineteenth century, it was discovered by the author Jules Verne who grabbed it. Wanting to bring her back to the present, the Timkeeper also takes the author who decides to travel through our time.
Dr. Françoise Gailland has a hectic schedule, which causes her to have little time to spend with her family, which consists of her husband Gérard, her pregnant teenager daughter Élisabeth, and her sullen son Julien. However, she does manage to find the time to spend with her lover, Daniel Letessier. While her life in such disarray, she learns that she has cancer. Françoise tries to put a brave face on it, and is determined to face the life-threatening disease with courage.
Harsh Parisian judge Gaetan (known as Monsieur Maximum), chafing in the idleness of retirement, leaves for a seaside holiday. But Gabriel the chauffeur has his mind on his girl, not the car; Gaetan and wife Nathalie are stranded in the country, where they find shelter in a low class bistro patronized by cheerful jail birds. Once the ice is broken, they have a wonderful time, but as the judge tries to trick his new friends into reforming, inevitable exposure approaches...
While in 2019, 150 women were killed by their spouse or their ex-companion in France, the journalists of Le Monde created an investigation unit within their editorial staff to decipher these feminicides. With methodology, they highlighted a recurrent criminal pattern and characterized the signals that led to the murders of these women. Through the testimonies of the entourage of the victims and the institutions, this film analyzes five emblematic cases of feminicides and traces the evolution of the romantic relationship from the meeting to the murder. This documentary warns of the collective blindness of society in the hope of causing global awareness.
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.
Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.
A film director, whose career is going downhill, reluctantly decides to adapt an inadaptable best selling novel. Will she succeed or will the book adapt her in the process?
In this comedy drama, two lovers go on vacation to the fellow's summer home in southern France. Once there, the woman becomes quite jealous because she knows that many women have been at this house with him. She herself is not as experienced as he and secretly dreams of having many different lovers. Time passes and things become increasingly tense between them and they begin verbally attacking each other. Finally they make peace and love.
Portrait of the Canadian artist duo Cozic, composed of Monic Brassard (1944) and Yvon Cozic (1942). United in life and creation, the couple works with industrial materials in vibrant colors to create ecological and playful artworks. From the carefree hippie years of the 1960s to major public art commissions, their work reflects the evolution of our relationship with nature and the industrial world. Today, from their remarkable estate in Sainte-Anne-de-la-Rochelle in the Eastern Townships, the duo is preparing for their major retrospective at the Musée national des beaux-arts de Québec.
Set against the backdrop of a summer on the French riviera, the Roussier family and its fragile equilibrium is shaped by the uncertain diagnosis of 13-year-old Bertille, who suffers from a severe disability. Her parents and older sister Marion live in constant fear of losing her. Disconnected from typical teenage dreams, Marion seeks escape in a relationship with an older boy. When a new diagnosis emerges, the family’s future is redefined, opening up unexpected possibilities. Bertille will live, and so will her family.
Philippe works as a Judge at the criminal court. He has a complicated relationship with his son Hugues. One night Hugues commits a deadly hit and run while driving home drunk. To protect his only son, Philippe chooses to cover up the evidences.
With the help of a gruff old neighbor, a little girl from Limoilou, blessed with a fertile imagination, sets out to make her father happier.
