A young girl plagued by relentless nightmares is drawn into a terrifying world where her dreams and reality begin to merge, revealing that the danger she fears in her sleep may be horrifyingly real. As death closes in, she must confront a truth darker than any nightmare.
The widow Nita Saparamadu and her two daughters Natalie and Venuki now live in Nita's father's spacious bungalow. Her father Saparamadu was a millionaire. It has been a month since he passed away. So Nita decided to celebrate her daughter's 18th birthday at this house, though not too big. Before Saparamadu's death, all of his estate was transferred to Nita's eldest daughter, Natalie. Victor, a close associate of Mr. Saparamadu knew this secret. From then on Victor began to draw a plan which was launched on this birthday celebration. Nita had a mysterious incident when she came to this bungalow with her two daughters in which Manika, the housemaid was disappeared. The story then revolves around Nita Saparamadu's attempt to protect her two daughters from these unknown thugs.
A painter (Kamal Addaraarachchi) has a girl that calls him uncle. She asks for his consent to marry a rich boy. He opposes by saying rich men only care about money. Then he relates his past to the girl. Then the story moves to a flashback. The painter has had a relationship with a girl from a rich family during his youth. He meets her in an art gallery and then gradually develops a relationship which culminates in making her pregnant. Then she requests him to meet her parents and she lies to them that he is a wealthy and rich person. In disgust, he leaves her. Then, after a long time, he finds out that she had lied to marry him. In other words, to get her parents' consent. He ultimately finds that the boy in the story is his son and his fiancée had died at the time of delivery. At the end of the story he commits suicide. At the end of the film the girl finds the painter dead on the floor.
Two women were denied justice and a journalist fails in his struggle to deliver justice to them, a filmmaker embarks on a quest to unearth the cause for that injustice.
The film is based on the folklore of Andare, the legendary court jester in Sri Lankan history known for his wit and humor.
A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.
Thank You Berty (Sinhala: තෑන්ක් යු බර්ටි) is a 2010 Sinhalese language Sri Lankan action-comedy film written by Tennyson Cooray as his directorial debut and starring a number of Sri Lankan comedians, including Bandu Samarasinghe, Dilhani Ekanayake, Ananda Wickramage, Mahendra Perera, Anusha Damayanthi, Nilanthi Dias, and Cletus Mendis. The film had its world premiere August 7, 2010, in Melbourne, Australia.
A political comedy revolved around a three-wheel driver who is elected as the Colombo City mayor by unexpected circumstances.
Film starring Vijaya Kumaranatunga and Malani Fonseka.
Released on May 04, 1952 at Elphinstone (Maradana) & 4 other centres through Ceylon Theatres circuit (Initial run at first-release centres ended in 5 days) First movie produced entirely in Sri Lanka.
This film is based on incidents that took place in the country within the last 20 years and the impact they caused on the lives of people. It also focuses on the wide-ranging problems faced by the youth of this country.The youth focused on are two young hired assassins, Lionel and Dhammika, who are hiding out while their deed is on every television. The same television also shows them John Travolta's violence in Pulp Fiction--strictly amateur stuff! While they are hiding in Colombo, Bandarawela and Ahatuwewa drink, try on hip-hop clothes, befriend an upper class girl. It's only a matter of time until their acts catch up to them. Will they escape once again?
Angara Dangara (2011) is a Sri Lankan Sinhala children's/family film centering on Gagani, a mischievous and stubborn teenage girl whose disruptive behavior in her city school leads to her being sent to a hostel. Eventually, she moves to a rural school in Monaragala, where a teacher helps her transform into a responsible, brave girl who saves a child from a river.
Man hoyanne premayak
Uthuru Sulanga unfolds an unknown side of life of a person who seeks refuge in a then boarder village in the dry zone of Sri Lanka. The village has just buried all the memories of the staggering Northern war. He (Sunimal) finds shelter in the house of chieftain of the village 'Ralahami mama' who does not bother about his past but present. Sunimal whilst trying hard to get over his indelible memories of war, faces his second battle of life as he couldn't resist the charm of Yasho, Ralahami mama's daughter. When he loses his battle, the dark shadows of an unforeseen future surrounds him....again. Yet he has to discover himself, his real family and his future.
The film takes place where an ancient King Hunther (Vijaya) was awaken by a hundred years sleep and started to modernize to present day world. He finally became a minister with the help of his present day friends Hector (Mahendra) and Moreen (Anarkali).
This movie is about the life story of St. Joseph Vaz.
Ayeshmantha fails to take their family business in his hands because of the stress he's under since his girlfriend broke up with him, so he gives up everything and leaves home to start his own adventure. On the train, he meets Rashmi, who's a very talkative and an attractive girl who has been promised to a businessman by her family. Rashmi goes to find her true love Prasad with the help of Ayeshmantha and their adventures together in finding Prasad, makes them inseparable friends.
Lalith is a chief Clarke of a Government Department. He falls in love with Nilanthi, a newly recruited typist. But Nilanthi is attracted to another handsome young Clarke in the same department named Sagara. Lalith detests this. He starts to suspect each and every act of Sagara and Nilanthi. ‘Dahasak Sithivili’ is based on Lalith’s efforts to prevent himself from getting carried away by these endless suspicions.
Detective Deshan takes on a high-stakes murder case that turns personal when the killer targets his ex-wife, forcing Deshan into a race against time.
