Fahmi has witnessed a robbery incident. Fahmi found that the robbers there had a bag containing a large amount of cash. In the struggle with the criminal group, Fahmi took the bag. When he realized this, he wanted to use the money to send his students to the competition.
Buloh Perindu / The Magic Flute / B. S. Rajhans / Keris
Chinta Murni / Pure Love / Armaya (A. R. Tompel) / Nusantara
A Singaporen movie directed by B. S. Rajhans in 1952
The story follows two Malay families from different socio-political backgrounds who discover they have more in common than they thought when a family secret is revealed.
Bahri's monotonous routine is shattered when he feels a chilling presence in his living room. As he tries to shake off the unease, another presence lurks outside his kitchen door, leaving him terrified. The enigmatic figure disappears, leaving Bahri confused but determined to uncover the truth. Haunted by the strange events, Bahri scrolls through his phone, consumed by thoughts of the unexplained. Night brings anxiety, leading him to seek solace under his covers. The discovery of a mysterious mask deepens the mystery, propelling Bahri on a captivating journey. In his quest for answers, Bahri delves into a world where reality blurs with the supernatural. As he confronts the unknown, his perception and sanity are put to the test, revealing a thrilling and enigmatic tale of intrigue and discovery.
A year after the Blackjack Casino incident, Azlan's life was interrupted by the appearance of his ex-lover Marwa Sofian who gave him an assignment he couldn't refuse and forced him to return to life as Wira Budiman.
The story of the forest giant
This film has a certain distiction of its own - it is the first to be written and directed by a Malay, Nas Achnas, a well known Singapore Malay artist. Starring Ismail Kassim and Nona Asiah, noted radio and record singer, the film is about a Malay who runs away from his kampong in order to avoid forcible marriage to his cousin. - The Straits Times, 8 Apr 1951
A son struggles to overcome his grief when he loses his father during the COVID-19 pandemic and has to make peace with his brother.
In Before the Wedlock House, the bride allows filmmaker Liao Jiekai to follow her in close lengths documenting her pre-dawn conversations with her make-up artist and the early birds in her wedding entourage. In conversational chapters, we learn about the relationships between her, the filmmaker and the greater environment that surrounds them.
After a food delivery man died in an accident, can his transgender brother take care of their Alzheimer ridden father?
Shot in the Kuala Lumpur red light district, this documentary revolves around Natasha, a Muslim Mak Nyah (male to female transsexual) who refuses to live life as a man in Malaysia.
Normah is married to a workaholic painter who is more intent on making money out of his art than showing concern and affect for her. She couldn't care less about his artistic pursuits and spends time dolling herself up. Her beauty catches the eye of Jamal, a car salesman, who pursues her to the neglect of his work, wife and children. Initially reluctant, Normah eventually gives in to Jamal's attention and a heady adulterous affair follows. However, Jamal's wife gets wind of their illicit relationship and he promptly forsakes Normah for the security of his family. Lonesome once more, Normah [the feminist heroine of the film] doesn't take long to lose herself to the thrill of another extramarital fling, this time to a fashionable and showy young man.
It revolves around the story of Tok Adi who tried to investigate a strange incident that happened to some people who lived in different districts and had nothing to do with himself.
Farah could not comprehend the fact after she found out that her son, Hani has dyslexia. As a villager with no education qualifications, she did not know what dyslexia was.
