محبوب از جانب Slovenia

A short comedy film about a sham shaman.

Young creative individuals have embraced certain American ideas, transformed and adapted them to the Slovenian context. Podcasts, stand-up comedy, web series, mobile apps and TED events are some of the practices that are American by format, but have changed with use in Slovenia. With these influences, is Slovenia losing its identity, or gaining?

The documentary entitled 'Janez Puhar's Lost Formula' introduces the Slovenian inventor of glass-plate photography from the point of view of a foreign observer, that of Scotsman Robin Crichton, who wonders how and why we honour him, since he is virtually unknown in the Western world. Robin decides to single-handedly look into these Slovenian beliefs. Puhar claims that for the light-sensitive matter he used mercury, sulfur, iodine and possibly varnish, which he applied in the end to protect the emulsion. But his real formula has never been brought to light anywhere. Indeed, the whole world knows that no one has used Puhar's ingredients to make photographs, because the said three elements are not sensitive to light - neither separately nor together as a compound. Robin therefore arrives at the key question: are the four Puhar originals, which currently exist around the world, real or are they just a mistake made by Slovenian historians and museum specialists?

Two people on opposite sides of Slovenia have the same dream at the same time. In their dreams, they fall in love, but wake up next to their respective partners.

After her parents passed away in a horrific car accident, Katja decides to unravel the craziest mystery of her life. Her awry psyche may not be her biggest problem to fix.

There were times when the economy was thriving and all indicators were turned upwards. But then finances crashed and reality hit – the economy had been on steroids. While professionals argue whether the financial crisis runs in the form of V or in the form W or has become a line segment at the bottom of the graph, we are wondering: "How could this have happened?!" Some answers can be found in To The Top And Back. Featuring Albin Kordež, a financier, a former president of the board, manager of the year, a member of the Bank of Slovenia governing board, the mastermind of management buyout, a "tycoon", a convict residing in the semi-open unit of the Dob Prison.

We see: a mosaic, printed on self-adhesive transparent film, cut and stuck to the front and back sides of 35mm clear leader. We hear: a piece of text, converted into barcode, printed onto self-adhesive transparent film, cut and stuck to 35mm clear leader.

Lena has been forced to move home; forced to leave everything she loves behind. Her life has been turned upside down. No longer will she be able to explore the bustling streets of London and delight in playing with her dearest friends. She has arrived in an idyllic country cottage.

A super 8mm film by Davorin Marc.

Iris and Anže are heading to a cottage to bring back the spark to their failing relationship. There she meets someone, and things don't go as planned.

The creation of video poetry: a scale of sequences shaped by René Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions.

Four renowned artists, Peter Ciuha, Sreco Dragan, Oto Rimele and Tilen Zbona, are exhibiting their works as part of the 'SPEKULA' art project in the Loza Gallery, Koper. In a unique way, the film explores their varying artistic experiences through the exhibits and through an articulation of the concept of the exhibition, 'At the edge of the depiction'.

Yugoslavia in the 1960s and 1970s: a young family moves to a small Slovenian industrial town in search of work. A found-footage portrait of a bygone era shot on Super 8 mm film.

Trina is a young girl, who is running away from her family, society, herself. Since she was a kid she has been listening how wrong it is, if you don't like the opposite sex. Katja moves in next door, they soon become more than friends. Trina is torn between her family and her own identity.

In Yugoslavia in 1947, 211,000 of the country's young people, joined by 5,735 from abroad, worked with great enthusiasm building the 242 kilometer railroad between Sarajevo and Samac. A newsreel from the period shows them toiling away with spades, pickaxes and shovels to complete the job in just seven months. Newsreel 242-Sunny Railways is both a tribute to these idealistic young people and an elegy for the loss of hope for a better world. "The visions of the future suffocated in the rivers of blood and mass graves," we hear in voice-over, referring to the bloody breakup of Yugoslavia and to a broader context. The railroad, laid over the rubble of the Second World War, damaged during the Bosnian War, and neglected in the new millennium now looks like the ruins of some ancient civilization. This documentary essay argues that the story of the railroad harbors enduring ideas for a world beyond capitalism, and that we must rediscover the values of times past.

The narrative film is about a central character looking for the source of his problems. He feels a terrible need for the culprit, for all the bad things in his life, because he himself is certainly not responsible for it. In search of an opponent, he delves into his family, society, and world leadership. When he does not find a good reason for his troubles in all this, he delves into nature and God. He finds no reason for his anger, the hypocriticalness of the central character escalates. In the end, we find that the source of all the bad is his own inner voice. The highlight of the film is a confrontation with oneself.

Scenes of the International Film Congress held in Berlin in April-May 1935, with famous film actors from all over the world.

The Carinthian plebiscite on Sunday, October 10, 1920, when Carinthia, the cradle of Slovenia, was lost to us, was felt by contemporaries as a national disaster.