The film starts in the 13th arrondissement of Paris in 1984. Robert Pinot is a police officer as ordinary as clumsy. One day, he stops a certain Josyane, a young drug addict who is also doubled as a pickpocket, nicknamed Marylou. Having discovered that she comes from the same village, Nanteuil, then him, he takes compassion for the young girl and decides to take her under his wing to keep her away from Tony, a dangerous dealer with whom she is in love.
Az works for an oyster farmer in Sète. He knows oysters by heart, he opens them by the hundreds. In one of them, Az decides to hide a ring, to ask his girlfriend Jess to marry him. She doesn't say yes. Fortunately, his band of friends are ready to do anything to help him get his head out of the water.
"Klein, a German Case" - The inside story on international terrorism related by an ex-terrorist Hans Joachim Klein. Through interviews, archive footage and reconstitution that clarify certain events, Klein reveals the workings of international terrorism : the underground networks, his participation in the OPEC bombing in Vienna, training camps, the manipulating role played by certain governments and the cynicism of those underground shadows that terrorized the world for 20 years.
Architect Dumas dies from a bullet of his own gun in front of his house. The police suspect his young Swedish wife Catherine and her English lover Tom Hastings. After numerous interrogations, in which they entangle themselves in contradictions, they try to flee, but are soon both caught and brought to trial, he in England, she in France. Only when Catherine keeps on proclaiming her innocence, superintendent Corbier finally considers believing her.
Paule is pushing 50, as she repeatedly observes in her voice-over commentary. When she – a philosophy lecturer with a 10-year marriage and a 15-year-old daughter – learns that her husband is having an affair with a 28-year-old, this number takes on a special weight. The Internet site “L’âme-sœur” is supposed to help Paule get through her burgeoning midlife crisis...
Claude Duty's feature-length debut Filles Perdues, Cheveux Gras (Hypnotized and Hysterical, (Hairstylist Wanted)) is an offbeat comedy about three women. Elodi (Olivia Bonamy) is a struggling single mother. Natacha (Marina Fois) is an upbeat alcoholic hair stylist whose beloved pet cat has disappeared. Marianne (Amira Casar) is drawn to a roguish, sexually adventurous art dealer. Their lives intertwine in a variety of ways. Song and dance numbers, as well as animated sequences, punctuate the film.
short film by Anne Benhaïem
Summer 1998—Kabul under Taliban rule. Zunaira and Mohsen are young and in love. Despite the daily violence and misery, they hope for a better future. One day, a foolish gesture causes life to take an irrevocable turn.
The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.
Julien Mortal, a singer from Portugal suffering from amnesia, made a career in France under the name of Paolo. One day, he discovers the truth about his past: a man tried to assassinate him.
Appleton, Wisconsin, 1886. Harry, 12 years old, has lived and breathed magic since his early childhood. But the small village Appleton is not the best spot for his natural talent to blossom. Although he rehearses endlessly in his parent’s barn he does realize that his dream is far stretched out. One day Harry catches the glimpse of a chance: the New York mayor has called out for a large contest in view of the Statue of Liberty’s official opening. However one must be tutored by a «real» magician and he doesn’t have the slightest idea of how to contact one… until his father tells him that the great Tesla is in town! Despite the young boys’ lack of knowledge Tesla spots talent, creativity and boldness in Harry. He decides to give him a chance and invites him to his own home, accompagnied by his niece Beth and his robot assistant Amrold.
A tale of sexual encounters of one woman and several friends, family members and acquaintances, as seen (and told) from the perspective of a pair of satin blue panties.
Journey of an african migrant through Europe.
French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.
In a small village of the South of France, life is made difficult by a sweltering heat wave and its corollary, a worrisome lack of water. Everyone is under great pressure, especially the farmers whose fields are not irrigated. Which is the reason why the residents are less and less well-disposed toward one of them, Joseph, a young man whose never-ending antics are becoming, in such fraught context, something of an intolerable inconvenience. The mayor tries desperately to calm things down but nothing helps...
We follow Ronsard to the Loire Valley, listening to him evoke his loves through odes and sonnets. Thus, Cassandre, Marie d'Angevine, Hélène de Surgères come back to life for a few moments for us. This evocation does not forget the friendship between Ronsard and another great poet of the 16th century, also born on the banks of the Loire, Joachim du Bellay. It takes us to the castles of Blois and Taley, to the manor of La Denysière, to Couture, Ronsard's birthplace, and to the priory of Saint-Cosme-les-Tours, where the poet died.
Is there a suitable age to face a loss for the first time? 20-year-old Paloma has just lost her grandfather. Her entire family gathers in the grandparents' house the day before the funeral. It is a place full of memories, and without noticing, Paloma is led to confront her loss, as if this end of summer marks the end of her frivolity.
The arrival in France of the first generation of Algerian immigrants. In the early sixties, Kader, soon joined by his wife Myriam, tries to build a new life on French soil. Like many other couples, they soon find themselves torn between the dream of returning to their homeland and that of prospering in a land that is not always welcoming.
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
