CBS Sports Spectacular

CBS Sports Spectacular 1970

1

CBS Sports Spectacular is a sports anthology program produced by CBS Sports. The series began on January 3, 1960 as The CBS Sports Spectacular, and has been known under many different names, including CBS Sports Saturday, CBS Sports Sunday, Eye on Sports and The CBS Sports Show. The program continues to air on an irregular basis on weekend afternoons, especially during the late spring and summer months. Normally it airs pre-recorded "time-buy" sports events produced by outside companies, such as supercross or skiing competitions, or sponsored documentaries.

1970

Day and Date

Day and Date 1970

1

Day and Date was a daily hour-long syndicated program in the 1990s. It was syndicated by Group W Productions in 1996. It was hosted by Dana King and Patrick Vanhorn. The program was intended as a lead-in to local early news programs.

1970

The Show Goes On

The Show Goes On 1970

1

The Show Goes On was a television variety show that aired in the United States on CBS Television from January 19, 1950 to January 16, 1952. The television program was the first starring role for the host Robert Q. Lewis.

1970

The Cube

The Cube 1970

1

The Cube is an upcoming American game show based on the hit UK game show under the same name. The pilot episodes are being taped in London on the set of the British version. It was first hinted that Fox would pick up the show, but they later dropped it, only to be picked up by rival network CBS instead. Neil Patrick Harris will be the host. The show is the CBS network's response to NBC's Minute to Win It. The top prize is going to be $500,000. Although the pilot episode of the U.S. version of The Cube was filmed in early 2010, it is currently unknown when the series will actually premiere on CBS.

1970

Marlo and the Magic Movie Machine

Marlo and the Magic Movie Machine 1970

1

Marlo and the Magic Movie Machine was a children's television show originating from WFSB-TV in Hartford. The storyline involved Marlo Higgins who is a mustachioed and frizzy-haired computer programming genius working for the L. Dullo computer company. He was banished to the "sub-sub-basement" by his boss, Leo Dullo. By day Marlo works for L. Dullo. At night he builds, programs, and interacts with his Magic Movie Machine built using L. Dullo hardware. The waveform from a real-time audio oscilloscope was displayed on the Magic Movie Machine's screen whenever it talked and it played short clips. The two traded tips and quips. Marlo sat at a console with a slight resemblance to master control consoles of the time. He would call up the various film clips featured on the show by entering codes using a numeric keypad with round, yellow number buttons and pressing an orange rectangular Start button to start the selected film. In earlier episodes, a split-flap display mounted on the console showed the code entered on the keypad. In later episodes, this was changed to an LED display, and the buttons were made to sound like the DTMF tones made by a touch-tone telephone as Marlo pressed them. Most of the time, Marlo used a small keypad consisting of two columns of buttons flanking a CRT, located in front of him when he was sitting at the console of the Magic Movie Machine. However, a similar but larger keypad located on the wall was sometimes used.

1970

The Jo Stafford Show

The Jo Stafford Show 1970

1

The Jo Stafford Show is a 15-minute musical variety program which aired on CBS in prime time in the 1954–1955 television season. Jo Stafford began her solo singing career after success with the big band group known as The Pied Pipers. Arrangements for the program were handled by Stafford's husband, Paul Weston, himself a conductor and arranger at Capitol Records and Columbia Records. The series aired on Tuesday evenings at 7:45 Eastern Time after Douglas Edwards with the News and preceding the half-hour The Red Skelton Show. Singer Perry Como had a similar 15-minute program on CBS in the same time slot on Monday, Wednesday, and Friday evenings. Paul Weston wrote a special theme song for the show. The show had the same cast of regular performers Stafford worked with during her Chesterfield Supper Club shows from Hollywood. Paul Weston and his Orchestra and the Starlighters provided the music and vocal accompaniments on the television show just as they had done on Stafford's hosted "Supper Club" radio programs. The television program was done live. During the year it aired, Stafford was beset with many of the on-air difficulties which came with live television, including the loss of her skirt on one show while singing "Let Me Go, Lover!". One of the cast members tripped, and as he fell, a button on his coat caught in Stafford's costume. Her skirt falling along with the actor, Stafford tried holding onto it while singing "Let me go".

1970

Murray The K – It's What's Happening, Baby

Murray The K – It's What's Happening, Baby 1970

1

Murray The K – It's What's Happening, Baby was a television special on CBS-TV hosted by Murray the K. The show aired on June 28, 1965. The special featured performances by many of the popular artists of the day like Jan & Dean, Mary Wells, the Dave Clark Five, Gary Lewis and the Playboys, The Supremes, Tom Jones, Bill Cosby, Patti LaBelle & the Bluebelles, The Drifters, The Miracles, Ray Charles, Marvin Gaye, The Ronettes, Chuck Jackson, The Four Tops, The Temptations, The Righteous Brothers and Little Anthony & the Imperials occasionally interspersed with Murray the K's public announcements urging the youth of America to pursue education and summer employment. The show opened with a performance of "Nowhere To Run" by Martha and the Vandellas filmed at a Mustang assembly line in the Ford River Rouge Plant in Detroit. An illegal bootleg version was released by Lady Goose Productions in 2007 as a DVD entitled: Murray the K & His 1965 Show of Shows.

1970

Bicentennial Minutes

Bicentennial Minutes 1970

8.00

Bicentennial Minutes was a series of short educational American television segments commemorating the bicentennial of the American Revolution. The segments were produced by the CBS Television Network and broadcast nightly from July 4, 1974, until December 31, 1976. The segments were sponsored by Shell Oil Company. The series was created by Ethel Winant and Louis Friedman of CBS, who had overcome the objections of network executives who considered it to be an unworthy use of program time. The producer of the series was Paul Waigner, the executive producer was Bob Markell, and the executive story editor and writer was Bernard Eismann from 1974 to 1976. He was followed by Jerome Alden. In 1976, the series received an Emmy Award in the category of Special Classification of Outstanding Program and Individual Achievement. It also won a Special Christopher Award in 1976. The videotaped segments were one minute long and were broadcast each night during prime time hours, generally at approximately 8:57 P.M. Eastern time. The format of the segments did not change, although each segment featured a different narrator, often a CBS network television star. The narrator, after introducing himself or herself, would state "This is a Bicentennial Minute," followed by the phrase "Two hundred years ago today..." and a description a historical event or personage prominent on that particular date two hundred years before during the American Revolution. The segment would close with the narrator saying, "I'm, and that's the way it was." This was an offhand reference to the close of the weeknight CBS Evening News with Walter Cronkite, who always ended each news telecast by saying, "And that's the way it is."

1970

The Continental

The Continental 1970

1

The Continental was a 1952 CBS television series starring Renzo Cesana in the title role. The 15-minute program was shown on Tuesdays and Thursdays at 11:15pm, at the end of the night's prime time schedule. The series used a subjective camera, as Cesana spoke directly to women in the viewing audience in a suave manner, with each episode a different romantic rendezvous, accompanied by lounge music played on an electric organ. Occasionally, he would recite the lyrics to a song. In an era when advertisers and advertising agencies played major roles in program creation and sponsorship, the show began as a syndicated 15-minute radio show created, written and produced by agency owner Cesana on Los Angeles station KHJ in February 1951. It directly followed The Lonesome Gal, a nationally syndicated radio show in which host Jean King played records and spoke in a soothing monologue to male listeners. The Continental failed to attract an audience and was soon cancelled. Cesana convinced television station KNBH to air a video version, which went on the air twice weekly beginning in June 1951. The show was picked up briefly by the CBS network, where it debuted on January 22, 1952, and pitched its last woo on April 17, 1952.

1970

Choose Up Sides

Choose Up Sides 1970

1

Choose Up Sides was a children's television game show that aired on NBC Saturday mornings from January 7 to March 31, 1956. It was hosted by Gene Rayburn and announced by Don Pardo and produced by Goodson-Todman Productions

1970

That's My Boy

That's My Boy 1970

1

That's My Boy is a largely forgotten 1954-1955 CBS situation comedy television series based on the 1951 Dean Martin and Jerry Lewis film of the same name. The series, written by Bob Schiller and filmed before a live audience, starred Eddie Mayehoff as Jack Jackson, Sr., Gil Stratton as Jack, Jr., and Rochelle Hudson as Alice Jackson, the wife and mother. The senior Jackson is a construction contractor who had been a star football player in college, and he is determined to have "Junior" follow in his gridiron path at their common alma mater. The series aired at 9 p.m. Eastern in the slot following My Favorite Husband and preceding June Havoc's sitcom Willy on CBS. Both That's My Boy and Willy aired opposite The George Gobel Show on NBC. The following season, 1955–1956, this time slot was occupied by the first year of the western Gunsmoke. CBS aired reruns of That's My Boy at 7:30 p.m. on Sunday from June to September 1959.

1970

In the News

In the News 1970

7.00

In the News is a series of two-minute televised video segments that summarized topical news stories for children and pre-teens. The segments were broadcast in the United States on the CBS television network from 1971 until 1986, between Saturday morning animated cartoon programs, alongside features like Schoolhouse Rock and One to Grow On, which aired on competing networks ABC and NBC, respectively. NBC would also go on to produce its own competing version called Ask NBC News. The "micro-series" had its genesis in a series of animated interstitials produced by CBS and Hanna Barbera Productions called In The Know, featuring Josie and the Pussycats narrating educational news segments tailored for children. This was eventually metamorphosed into a more live-action-oriented micro-series produced solely by CBS' news division. In the News segments attempted to explain the essence of complex news stories to children, and to do so in a way that might engage a young audience. Video clips of national or world events and special-interest stories were shown with voice-over narration specifically written with children in mind. Although news stories deemed to be inappropriate for children were not covered on In the News, the series did feature a wide range of then-current events.

1970

Horton Hears a Who!

Horton Hears a Who! 1970

7.00

Horton Hears a Who! is a 1970 television half-hour long special based on the Dr. Seuss book of the same name, Horton Hears a Who!. It was produced and directed by Chuck Jones - who previously produced the Seuss special How the Grinch Stole Christmas! - for MGM Television. The special contains songs with lyrics by Seuss and music by Eugene Poddany, who would later write songs for Seuss' book, The Cat in the Hat Song Book.

1970

It Pays to Be Ignorant

It Pays to Be Ignorant 1970

1

It Pays to Be Ignorant was a radio comedy show which maintained its popularity during a nine-year run on three networks for such sponsors as Philip Morris, Chrysler, and DeSoto. The series was a spoof on the authoritative, academic discourse evident on such authoritative panel series as Quiz Kids and Information Please, while the beginning of the program parodied the popular quiz show, Doctor I.Q. With announcers Ken Roberts and Dick Stark, the program was broadcast on Mutual from June 25, 1942 to February 28, 1944, on CBS from February 25, 1944 to September 27, 1950 and finally on NBC from July 4, 1951 to September 26, 1951.

1970