Montreux, Fêtes des Narcisses: Marquises dans leurs chaises à porteurs 1900
Marquesas in their sedan chairs.
Marquesas in their sedan chairs.
The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog)
A man shaves, back to the camera, face reflected in a mirror.
A slightly risqué scene. In her bedroom, a young woman, standing on a rug in front of her bed, removes her corset. Smiling, she bares her shoulders and puts on her nightgown before letting her petticoat slide down. Then she picks up a daisy, plucks its petals, and gets under the covers.
A series of fantastical wrestling matches.
A man and a child are washing a small dog in a tub, while a large dog is circling around them, barking.
A landlady is taunted by neighborhood kids.
The plot outlines the story of the early Christian martyrs with a compendium of horrors such as maulings at the Colosseum, crucifixions, beheadings, savage hackings and burnings at the stake, burnings in the limepit, the spectacle of human torches in Nero's garden.
The professor shows his power to Mephisto by mysteriously placing a young lady in a swing. Mephisto then shows his power by making the young lady disappear from the swing, to the surprise of the professor. The professor makes another mystic pass and produces a second young lady then in the swing, and also a skeleton.
Directed by Robert W. Paul.
Directed by Robert W. Paul.
The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.
Shots of the panorama, filmed from the winding railroad tracks that stretch along the coast, from Beaulieu to Monaco, including tunnel passages.
Filming of a character sketch by the well-known vaudevillian Charles E. Grapewin. On a bare stage backed by a dark curtain, a man dressed in a three-piece suit and overcoat holds a racing program and excitedly watches a race supposedly taking place offstage.
A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.
A monkey wreaks havoc on a doctor.
A man takes off his clothes in preparation for bed, only for new clothes to spontaneously generate, leading to comical consternation.
This 10 second fragment is available in flipbook format, otherwise lost.
Yet another Lumiere parade shot.
Shots of the panorama, filmed from the winding railroad tracks that stretch along the coast, from Beaulieu to Monaco, including tunnel passages.