سال 1971 - 22

A group of Mexican revolutionaries murders a town priest and a number of his christian followers. Ten years later, a widow arrives in town intent to take revenge from her husband's killers.

Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he's also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.

The adventures of two American gangsters who are hiding from the FBI in Hamburg, Germany. When there becomes too hot, they move to Munich. Their erotic adventures include sexy girls, prostitutes and lesbians until they the law finally catches up to them. At the same time, their sadistic buddies Jimmy & Johnny in California go on a general crime spree...

Carol Hammond, daughter of a politician, has vivid nightmares involving sex orgies and LSD. In a dream, she murders a neighbor she envies and wakes up to a real investigation into her neighbor's murder.

Yuji, a budding writer, meets and starts falling in love with his best friend’s girlfriend, Natsuko. The attraction is mutual but due to the circumstances, they try to not act on their attraction. However, as time goes by, they realise that, perhaps, they cannot be without each other. Will the forbidden love affair move forward and can they finally be with each other?

A Swedish housewife begins an adulterous affair with an American archaeologist, unaware of his emotional scars as a Holocaust survivor; consequently, their relationship will be painfully difficult.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

A young militia lieutenant goes undercover as a journalist to investigate a Zakopane smuggling ring.

This is the thirteenth film in the series.

Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders.

Possible Possum and Menken Mouse's fishing is disrupted by the arrival of a giant mosquito.

The coastal people of Kaugatoma set out to build their own ship to earn a living independent of the baron's will. The baron does everything to prevent the venture, but still "Kaugatoma" raises its white sails. Unfortunately, the power of money turns out to be decisive both in the organization of joint activities and in the relations of the strong-natured captain Tõnis Tihu with the community and his loved ones. He abandons Liisu, with whom he has a son, and marries a wealthy widow. As a captain, he has the power to look after the welfare of the sailors, but he thinks more about his own safety. However, the winds of 1905 are already blowing over the sea.

A prisoner escapes and kidnaps a woman with her he falls in love. He's involved in a bad business where politicians and underworld are leading the dance. He'll die like the albatross in Baudelaire's poem.

The film tells the story of two brothers who fall in love with the same woman. Murat, who lost his father at a young age, takes on the entire burden of his family. He takes care of his mother by sending his brother Metin to school. Years later, he starts running a casino and takes over a new one. He turns Emine, who works as a waitress at the casino, into a singer. Over time, he falls in love with Emine. However, Emine falls for Murat's brother Metin, whom she meets on a vacation. Murat will have to choose between his brother and Emine.

A German prisoner of wars stays in France after the armistice with the woman he loves.

There was a civil strife in the court. In order to protect the king, some loyal ministers and the king hid in an old house. This old house was known as a haunted house; whoever lived in the house shall die for sure. Mr. and Mrs. Tse went to the haunted house but died in it. Their son Tse Tin Jun wanted to find out the truth of his parents’ death, so he went to the house. At the mean time, another minister knew the king's hiding in the house. He sent out a military force to kill the king. Actually Mr. and Mrs. Tse pretended to die to deceive the public. Tin Jun stood with his parents and the loyal ministers to fight against the rebels. After the blood battle, they eventually annihilated the rebels...

Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.

A Brooklyn mobster and his gang try to rub out their rivals.

Betye Saar’s film Colored Spade is an assemblage of derogatory images gradually replaced with depictions of African-American power and solidarity. The film explores Saar’s interest in deconstructing historical and political narratives through the use of symbolism within found imagery.