سال 2001 - 450

Instead of riding off into the sunset, Dolven's two protagonists walk off, painfully slowly and in perfect step, into an impenetrable darkness.

Movement begins and ends with snowflakes, fleeting, floating, whirling and dancing in constant restlessness. Sudden changes in direction, composition, background, density, color and contrast interrupt the perpetual flow. 

Documentary by Dan Winter. Warning various reports of this content being fraudulent and untrue.

Let Me Live, The One You Are, Never, Come Into Resistance, Bleed, Cross of Hatred

This is the story of Terenti, a reindeer hunter and chief of the brigade, and his family. His wife Maïa, daughter Anna, brother Vassia, and grandfather live in their balok. Anna’s cousin Konstantin is staying with them in the tundra. Early one morning, Anna awakens. The Trace of Moloktchon follows a family of Dolgans from sunrise to sunset. We meet the Tundra of Siberia, the last nomadic inhabitants of the Taïmyr. On May 9, 2000, the filmmaker set a camera inside a balok and another outside on a swivel to follow the sun. This allowed him to film on two screens, an intimate record of Maïa’s daily life and the means developed by this thousand-year-old culture for meeting its needs. At the same time, he captured a panorama of her environment, the Tundra of Terenti. We discover the way of life of these animistic nomads. They went about their usual activities without apparent regard for the camera. The resulting document is moving and informative.

Steven Lane was captive to pornography for as long as he can remember. His parents divorced and later his mother married a minister of a local church. This stepfather introduced Steve to pornographic magazines. Before long Steve was hopelessly entangled in the porno web. A cascade of challenging circumstances and an encounter with God jolted Steve to free himself once and for all from his obsession with pornography.

Fredrik, age 16, from Askøy outside Bergen is an unassuming boy; until he sits down in front of a computer. There Fredrik dons his alias, Slayer, and becomes one of the world's best players of the computer game Starcraft. We follow Fredrik on a trip to Korea where the world's best Starcraft players meet in combat. Only the top 128 of over 100,000 applicants qualify to compete for the first prize of $10,000.

The American Agency known as The Octopus has set forth a new order into the realm of technological espionage.

If at first you don’t succeed, scry, scry again. 16mm film.

Prison escape by helicopter re-created with multi-screens consisting of eight sequence shots in a loop.

Life on the streets of New York City for the poor and homeless is an unforgiving struggle. For those who also battle mental illness, it is marked by the additional pressures of fear, isolation and misunderstanding. "West 47th Street," a remarkable new film, takes its cameras into the heart of the struggle as it rejects the invisibility of the mentally ill who inhabit America's urban streets. Filmed over three years at Fountain House, a renowned 50-year-old rehabilitation center in New York, West 47th Street reveals the human face of mental illness — and the faith and courage with which its victims fight to recover control of their lives.

In Huyghe’s animation, an adolescent girl wanders through a shifting lunar topography and, speaking in a digitally synthesized form of astronaut Neil Armstrong’s voice, delivers a narration blending the actual transmissions from the Apollo 11 mission with excerpts from Jules Verne’s 1864 novel Journey to the Center of the Earth.

A man gets confused when he thinks he sees a carrot.

A boy walks to his locker.

Documentary focusing on Brazilian samba singer Bezerra da Silva and the composers he chooses to record: simple people, workers living in the poor slums of Rio de Janeiro and its suburbs.

In Frances Stark's Cat Videos 1999 - 2002, the artist's cats are featured playing and lounging in her apartment. The videos are a result of Stark being inspired by the visual pleasure of watching her cats and the way their movement changed her perception of her domestic surroundings. By utilizing the soundtrack of one diegetic song per video, the life of the domestic cat - which usually involves no plans or action - is framed, and then elevated as a work of art. The videos, produced pre-Youtube in 1999-2002, predict our current extensive consumption and emotional responses to online cat videos, and unintentionally explore the rise of rapid attention span as a response to current technologies.