Tringa, Jeta, and Atdhe have never left Kosovo. In their twenties, they’ve spent their lives imagining the world through screens, grounded by visa restrictions. When they finally board a plane for the first time, the reality they encounter is far from what they imagined. Yet something shifts. In the space between departure and return, they begin to understand that growing up isn’t about where you go, but who you become along the way.
A journey through childhood memories brings nostalgia full of pain and love. Nothing is as it was in childhood; only memories roam freely and illuminate in retrospect. The environment and everything of that time has been violently ruined and altered by someone. Seasons have settled in the ruins of troubled memories.
Garip, a 40-year-old doctor leaving in Germany faces the depth of his imagination and subconciousness.
The end of the shift finds nurse Ajkuna conversing with a colleague. He's acquired the information she was looking for: a link to an organ trafficking circle. As she goes through various encounters with strangers and acquaintances, and wrestles with her daughter’s impending graduation, Ajkuna begins to see herself imploding.
Director Karamuço ponders the notion of national identity as freezing Kosovars, taped during the recent cold snap, give wildly differing opinions about their country’s controversial blue, white and gold national symbol. Funny and telling, the film brilliantly threads an extraordinary sequence of a teacher explaining the flag to her wide-eyed kindergarten students.
Ermira, Sara, Besiana and Iliriana are teenage girls who play soccer for the female soccer club in Kaçanik called Kaçanikasja (Kaçanik girl), the first ever female soccer club that has been recently founded in town, making the girls the first ever players of the club. What is their reality, what are their dreams, how long are those dreams going to last in a poor country where female soccer is not a priority?!
The documentary consist a series of 7 shorts, illustrating each day of the week and features personal stories of ordinary Kosovo citizens about the positive impact of European Union in their everyday life.
Kosovo in 1990. Two Serb policemen terrorize an Albanian rural community by forbading them to paint red color elsewhere and obstruct their gatherings.
The film explores the issue of Ambiguous Loss through the testimony of 5 women who lost male members of their families during the war in Kosovo and suffered years of anguish searching for their remains.
A journey over time. Depicting different states of mind. Making visible, the invisible. Giving voice to the voiceless. A journey through the mind.
During the transition years of Kosovo, Bujar decides to follow his dreams to become an actor. After a couple of years, his small world back home experiences heavy rain and darkness with a single hope, to find the light at the end of the tunnel.
The film titled 'Plisi' elaborates on the story of an Albanian elder who lives in New York and who never drops the bill from the head. As he wakes up from a bad dream where he turns into a strange creature, as the wind removes the crack from his head, he decides to tell his nephews about the importance of the plis that he holds.
Phoebe, a successful writer and activist, lives in isolation in her apartment with her daughter, Aria, during the pandemic. After a normal day of reading comments and statuses on Facebook, tensions begin to rise when Aria insists on going outside. Phoebe, scared and filled with doubt, experiences a moment of panic when she thinks Aria has run away. After a period of searching, Phoebe finds Aria and, to relieve the tension, begins to jump out of the window, leaving everything behind.
A couple, Besnik and Linda live with Besnik's mother Xheva, who's partially immobile and needs constant assistance. One day they have to go to the ministry to testify that Xheva is alive, otherwise they lose her pension. The road there is not easy and will change their lives dramatically, in ways they never imagined.
A documentary about the life and work of architect and urban planner Rexhep Luci and about Prishtina, the city he loved and the city where he was murdered in September 2000. The documentary tells his personal and professional relationship with the city, from his commitment to urban growth during the Yugoslav era to his determination to prevent unauthorized construction in the post-war period. His niece, Besa, through intimate conversations with Rexhep’s family and colleagues, as well as by following an architectural intervention on the street that bears his name, takes us on a journey through his life and the urban development of Prishtina. The documentary explores what stops an architect.
Mara, a teenage girl goes through a traumatic experience but with the help of her two sisters, she seeks revenge.
Merita (35), an elegant wife who knows nothing about her husband's fate, decided to defend her only daughter Tringa (7), from the director and the workers, giving her body, until she decided to leave the country to secure her daughter's life.
“Wires Crossed” follows the story of two girls, reunited after a complicated past. This intimate phone call reveals their emotions, thoughts, and journey during the time when one was struggling with addiction, and how they reached forgiveness and formed a new friendship between them.
"Pashtriku" follows the story of two sisters as they revisit the holy mountain of Pashtrik.
Milazim, Fatmir and Liridon are veteran manual labourers who experienced accidents in their workplaces in Kosovo, Europe's youngest country. In this poetic experimental documentary tribute to a now almost extinct class of people, Ilir Hasanaj gives voice to gentle, sincere and dignified, but almost invisible individuals, who fell prey to harsh and primitive capitalistic machinery and policy in the Balkans.
