A Mongolian soldier who took part in the liberation war of 1945 found an Inner Mongolian family that was seriously wounded and took him to a hospital. It is a story about the love between two young men, which tells about the girl of that family who has no family during the military service, but is forced to return due to the current situation.
Gerelee, a Deaf teenage girl, decides to follow her dreams and audition for a dance company, despite her father’s protests.
In 1939, when the Japanese army invaded the protected border of our country, our border warriors showed how they protected the protected border of our country from foreign invaders.
Zhula lives with her only son in the grasslands. One day, a man asks her to hire him. Zhula hires him but he doesn't want to tell his background.
Based on a true story, this award-winning Mongolian-Thai drama tells the tale of a woman determined to help women escape her husband's human trafficking ring.
It is a Mongolian feature film released in 2003.
A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
In the 13th century, a princess named No Gu, a queen of the Great Mongol Empire who is visiting Korea as a queen, is overcome with longing for her homeland and flees from her emperor. She drowns while escaping. As she dies, she utters a single sentence, "I want to go home." The story unfolds in the present day. The princess No Gu, who went to Korea to work, is trafficked and imprisoned in the house of a cruel Korean woman. While imprisoned, she uncovers the terrible crime committed by the housewife, which leads to an interesting development.
In a city rife with corruption and scandals, surrounded by indifference, the solitary and enigmatic Myagmar lives in isolation after enduring 14 brutal years in prison. Scarred both physically and emotionally, his only companions are the stray dogs he has rescued over time.
Horse racing, which is one of the three men's festivals of Mongolia, will be about its features and the skills and traditions of Mongolian horsemen that have been inherited for hundreds of years.
Teenage boy Tsog lives in the slums outside Ulan Bator. He sells milk from his neighbor to support his family, with whom he frequently quarrels. The flight of his imagination is Tsog's only solace— he spends hours drawing his hero, a young monk. After a fight with his parents Tsog takes off to the city, where he settles on the roof of an apartment building. From this new vantage point he spots a beautiful but troubled young woman inhabiting a nearby penthouse. Seeking to intertwine their fates— to bridge the gap between their social, economic, and spiritual conditions— Tsog steals a remote which he uses to control the young woman's television set.
A film showing the activities of the Mongolian Chekists in the form of an adventure. Chekists means spies.
In this era of globalization, the film aims to show the tragic image of the relationship between humans and nature, in other words, how humans are moving away from nature and nature from humans. In particular, the deeper humans enter into technical and technological development, the more they lose their humanity, and as a result, their ethnicity, heritage, and ultimately, themselves are destroyed to the point of not being able to recognize themselves.
Set in the first part of the 20th century during the Russian revolution's spill over into the vast majestic lands of Mongolia. This epic story is about family, love, devotion and kinship with one's homeland, told through the experiences of a boy and horse whose extraordinary bond to each other and the land gives them the courage to never give up the quest to find the other after being cruelly separated.
The criminal Badarch takes advantage of the weaknesses of the teenagers, Saruul and Erdene, to commit a robbery and then leads them to the wrong path by drinking alcohol. They were involved in a murder case after killing Ochir, a citizen they met by chance while driving drunk. During the investigation of this case, the investigator Ulambayar meets with various people.
As the unforgiving forces of nature take their toll on humans and animals, the unexpected return of snow devastates the nomad family’s livestock. 11-year old Sukbhat is forced to leave his childhood behind. Now the hopes of the family rely on the young boy who should tame and race the wild horse. An intense relation between father, son and their wild horse shows how nature overwhelms and influences human beings. Nobody remains unscathed after being confronted with the powers of the steppe.
A naked woman is found murdered in the Mongolian steppe. Overnight, a young and inexperienced policeman has to secure the crime scene. Since he is not familiar with the dangers on site, a local herder is sent to guard him and the body. This resolute woman in her mid-thirties knows how to handle a rifle – and how to scare away wolves. She lights a fire against the cold. Alcohol also helps them to stay warm. At her instigation, the two get closer to each other. The next morning, they will go their separate ways.
Molom, the shaman, takes Yonden, a child lost among wolves, under his protection, and walks with him through the Mongolian steppe.
In a remote Mongolian mountains, a woman lives with her mother-in-law and her daughter. Everyone has deserted them except for the people she looks after. Time to time a local man comes and helps her to do her difficult tasks and always asks her to move to the nearest town with him. Her hands are tied to the place, since her mother-in-law wouldn't be able to get accustomed to the town lifestyle.
This movie, created on the theme of mythology, the tradition of believing in and admiring myths, expresses the absurdity of a thought and the instinctive absurdity of a thought in the form of horror.
