Populaire De Poland

A fictional story about a husband and wife separated by huge distance, space and time. While living on two different surfaces they have to confront the reality surrounding them trying to find the meaning of the vague situation they have been thrown into.

Report from the trial of Nazi criminals before the international tribunal in Nuremberg.

If you put together two neighborhood thugs, a hunchback, a pseudo-coach, a fat guy and a nerd, and have them do an exorcism - what can go wrong? The team, in pursuit of what they think is easy money, accepts an unusual assignment. On the spot it turns out that an adversary they would never expect is lurking. The melange turns into a tense no-win situation. The chances that they will emerge unscathed shrink with each passing minute.

Produced by Social Communication Factory

Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.

“The End The End” shows an interest in the film-making process as a subject. The motif of closed composition is of a circular nature, in which the end signifies the return to the point of departure, and is frequently employed by the artist.

“Impressions” provides an image of conscious corporeality – an image that was rare in the art of Poland under Communism. The work is a joyful spontaneous story about female subjectivity, a film self-portrait of the artist.

Two siblings watched by their grandfather sit at the table and struggles to finish their soup. The children don't want to eat, they scoop the soup up reluctantly, looking for a possible way to break free from the table. When the door opens, and the bright light hits the room, the children run out and find themselves in a completely different reality.

A short story about stones, one need another to go forward. By Michal Socha

Reporter Egon Ryś accidentally meets Scarecrow. He decides to give him a ride to the scarecrow convention, seeing it as a good topic for an article. The chairman of the meeting, Beelzebub, states that no one is afraid of them anymore, so they should start helping people instead of scaring them. Most of the ghosts are delighted with this idea, but the nobleman Boruta is opposed. He decides to sabotage his colleagues' activities.

Every traveler knows this feeling: moving landscape, rhythmical rumble of the train and a head full of thoughts. Time slows down encouraging an inner journey, as a lonely woman sinks deeper and deeper into her memories. She is traveling to her family: to an absent husband and her child whom she can't learn to miss. She's coming back but in her thoughts she's traveling again. Space-time turns, departures and returns mix into a confusing life journey. In the empty train drama slowly evolves.

A small village, a sleepy winter landscape, a dairy farm. Suddenly, one of the calves is taken away from its safe home and put in a tractor trailer.