Mashahuri Daga Cuba

Family from a farming community move to the capital and lose their moral compass.

Sixty people, including those who have worked making the film, talk about sex: what's it, how was their first time, when did they masturbate for the first time, what do they think about pornography, relation between sex and love, and so on.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.

Matia, a marginal young man, escapes to an island in the River Paraná. In an uncomfortable atmosphere that is not his own, he tries to start a new life, but the tensions his arrival cause take him back to his criminal past and to the idea of having to flee in order to survive.

The famous Spanish comedian Andreu Buenafuente, CEO of the production company El Terrat and prestigious TV host, tells how he and his numerous collaborators, both on set and behind the cameras, managed to carry on with their work despite the chaos and the several logistical and human problems caused by the global pandemic that began in early 2020.

Two violators of the military service law are incorporated as soldiers recently arrived from Europe and proposed to integrate a group that will operate in a jungle region, for which they have to prepare for difficult survival missions.

Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.

A Spaniard in Argentina becomes aware of his approaching death while staying at a hospital, so he decides to run away from Buenos Aires and start a trip up North, heading nowhere in particular.

Short documentary about horror films in Argentina.

A day in the life of Martin, a transgender artist from a small indigenous village in Michoacán, Mexico. As a queer up and coming artist, everyday Martin must navigate corrupt politics, micro aggressions and misconceptions of the LGTBQ+.

Two fugitives try to stop an alien invasion that reproduce by sodomizing men.

Raul is torn between life and death, while he is traveling through infernal labyrinths.

Human needs are explored in a group of adolescents who find themselves in a tutorial room in preparation for the university's entrance exam. This film aims for youths to reflect on their way of thinking and acting.

Retired detective Laura goes back from her isolated mansion to investigate a dark murder This is a late sequel in which a retired Laura (Maria Pujalte) returns into action when the murder of an University Principal (Joaquin Climent) happens . Laura Lebrel is a brilliant homicide detective , as he solves the most twisted crimes while balancing a very busy personal and family life. Again here shows up Martin Maresca (Oriol Tarrasón) , her handsome and loyal colleague , as well as cop Lydia Martínez (Laura Pamplona) .

Doña Refugio works in an office until the bounce and has three children: Fernando who is studying to be a lawyer, doctor and Nacho Edmundo to work in a company as a truck driver gas. Things become difficult within the family and each seek solutions to economic oppression living.

A vengeful widow hires a professional killer to train her son so that he can hunt down and kill the men who murdered her husband. The quest for revenge soon becomes an obsession.