Popilè Soti nan Albania

The story of some girls in a colossal moment

Women of Liberty is a testimony and a chronology of war, resistance and great sacrifice of Kosovo women as a crucial part of Albanians’ movement for freedom and independence.

This documentary shows high school students in the place where they poof their problems away, the place where they enjoy breaking the school rules.

“Six More Days of Bread” is a conceptual short film that revisits Albania’s centennial celebration in 2012, when a 500m² cake was placed in Skanderbeg Square, causing a surreal and chaotic public spectacle.

Fahrije, an elderly Albanian woman in Kosovo, shares her life story through a conversation with her granddaughter, the director. She recalls her childhood, the abrupt end of her schooling, and her arranged marriage.

In a crumbling Balkan home, The Attic offers a nostalgic farewell to forgotten treasures. This intimate documentary explores the memories hidden in dusty books, flickering TVs, and mysterious relics, revealing how ordinary objects quietly connect generations. With warmth, humor, and a touch of sadness, it shows that even forgotten places hold meaningful stories.

A young artist and her mother share a candid conversation in their studio, a space where art, memories and unspoken emotions come to life. Through their dialogue, they explore the bond that unites them, the peace they find in creativity and the moments that shape them.

“Her” follows the life of Donjeta Krasinqi, a soldier in the Kosovo Security Forces (KSF) in Prizren. The film tells the story of a strong woman navigating and thriving in a male dominated field.

When Erza, Erenik and Andi's ideas get rejected, they discuss how their films could play out through Betmeni, Ketwomeni and Ridlleri. Through humorous tones and playful settings, their film accomplishes to portray three very special narratives.

Trapped in a vicious cycle of personal disappointments and unfulfilled fantasies, a man-the head of a household-suddenly decides to give up everything: his job, responsibilities, and social life, to pursue a long-abandoned dream of becoming a boxer. Convinced that this is the way to reclaim control over his life and the respect he's lost, he embarks on a solitary and difficult journey toward a dream that no longer recognizes him.

Shpend has a dream that his mom is on deathbed, but she cannot pass away without seeing him first. Before they execute the deserters, the commander of garrison finds out the reasons behind Shpend’s desertion, and he is ready to offer him two additional days to go home to meet his mom, if Shpend gives him the word to return.

This film is dedicated to the girl who died in June 2016 in Prizren, Xheneta Gashi. This film is about the kids living in the same circumstances as Xheneta did, and also it’s about the miserable economic situation of Kosovo.

Small parts of a teenager’s life recorded within two years with a mobile phone, intertwined with her friends and her thoughts about herself, the present and the future in Kosovo.

Director Karamuço ponders the notion of national identity as freezing Kosovars, taped during the recent cold snap, give wildly differing opinions about their country’s controversial blue, white and gold national symbol. Funny and telling, the film brilliantly threads an extraordinary sequence of a teacher explaining the flag to her wide-eyed kindergarten students.

A chronicle of the parallel school system in Kosovo during the 1990’s when Albanians were expelled from learning institutions by the occupying Serbs. The filmmaker Bukoshi interviews former students who vividly recall the extraordinary and often dangerous lengths they went to pursue a basic education.

Consequences flowing from the consequences. Some women raped during the war in one village in Kosovo from Serbian army, cope with the consequences of rape, several years after the war. Lushe a woman raped during the war confessed for the newspaper about what happened during the Kosovo war. Village troubled by this news, it brings new consequences as e result of the phenomenon.

Dardana meets an interesting DJ in a party, and she spends the night with him. The next day she meets her friend that tells her that the DJ is infected with HIV. Her weeks and months pass and she finds out the truth when it’s late…

The film’s title “Are You Everybody?” was a common expression, and first greeting to fellow Kosovan people, when they saw each other for the first time after the war. It was a quick way of finding out whether there was anybody lost from their family. In June 1999 Lala Meredith-Vula (whose father is from Kosova) was invited by the British Red Cross to go in to Kosova shortly after the liberation and end of the NATO bombing. She witnessed the country torn and desolate gradually come back to life again. It is an artist’s deeply personal study about people surviving adversity and carrying on. The film shows the indomitability of the human spirit.

Surrounded by problems, Agim suddenly has an idea for survival. But his morbid idea is his doom…

BESA vividly portrays how individual Muslims, Christians and Jews of Balkan Peninsula were able to overcome their ethnic and religious hatred in an intense hardship time of World War II. All this resulting in escape and survival of Irene, a Jewish woman running from Nazi prosecution.