Na-ewu ewu Site na Ghana

Kamal and Bashir finish their first degree and become pride and ambitious, they become to pride for a side jobs their only mission is to start somehow big and become rich in no time with that degree.

Story of a Cunning man named Mati, who escape his home town village rimau and goes to zazzau in order to look for the treasure left behind by his wealthy deceased father.

The idea for the project “Reykjavik Butterflies” was originally to create a narrative based film about art groups in Reykjavik. There were many artists that took part in this project, like musicians, street performers, illustrators, designers and filmmakers. They were alway presenting and performing new things every week. The most known art group was the street theater (“Götuleikhúsið”), like always their performance was impressive. Many artists that participated in the project are musicians. I chose three of them and used their music in the film. When I was halfway through filming, the idea changed into an experimental film. I decided to try to combine all of my filming and editing styles. I also experimented with new styles that I have never used before.

Ibrahim navigates through his phobia to sounds made by water. He eventually faced it when he visits the river again with his friends.

Nigerian version of the classic Titanic movie made by James Cameron, the movie is filmed with video footage of abandoned warehouses and ships at Lagoos Nigeria. Also with archive footage from the Titanic movie from 1997.

Duma, a farming community, is ravaged by banditry and a scarcity of potable drinking water. Kaka, a schoolgirl from Duma village, is unhappy with her grandmother's traditional midwifery practice, which has led to the deaths of a few women in the village. Will she give up on her aspirations as a young girl having escaped to the city, or can she reconnect with the path to her desired destination?

One of the last celluloid films created during the rise of the Nollywood film industry. Film adaption of the homonymous novel written by Umaru Danjuma Katsina in the early 80s. Set in post-independence northern Nigeria the film traces a teenage girl’s descent into an illicit human trafficking ring, dedicated to the sexual exploitation of school girls by the country’s political rich.

A devout Muslim daughter, stands at a crossroads as her father's desire to honor his late mother clashes with her dream of becoming a rapper, challenging the bonds of family and tradition.

Two former lovers reunite years after their breakup, and uncomfortably struggle to acknowledge the complicated feelings between them.

A group of students at the Shehu Sanda Kyarimi school in Maiduguri, Nigeria develops surreal tableaus using children’s games, poetry, and exercises from a physical education book for secondary school students.