Na-ewu ewu Site na Romania

The monastery is the sacred home of God, but also home to the nuns and monks who have dedicated their lives to God. Romania’s monasteries are known worldwide for their magnificent beauty, but what do we know about the people that live there? How different is the life they lead? How different is the way they see the world? Behind the Monastery Walls presents a selection of intimate and inspiring interviews in which nuns and monks in Romanian monasteries lay bare their thoughts and beliefs.

Matei Vişniec is considered to be the most important contemporary Romanian playwright. His plays are translated into more than 20 languages and are played in over 50 countries. At the invitation of the writer, a TVR Iasi team, made up of journalist Andreea Ştiliuc and cameraman Relu Tabără, was this documentary filmed in July in France.

A TV team visits the camp of a Roma community in Bucharest that was recently evicted and is protesting. During the interview, the protestors start questioning the motivations of the reporting team and claim their right to tell their version of the story. The film is based on the story and experiences of the evicted people from Strada Vulturilor 50 in Bucharest.

A village called Rosia Montana (Verespatak in Hungarian) is going to be eradicated because it is situated near mountains containing 300 tons of gold and silver. Hundred-year old houses, graveyards and churches will be destroyed, people living there for all of their lives will be moved away in order to allow a Canadian-Romanian company to install the largest gold extraction facility of Europe. The planned 800-hectare cyanide pool can be considered as of fearsome proportion, especially in the light of the cyanide catastrophe of the year 2000, which left the Tisza river completely and utterly devastated.

Following the death of his wife, a father is trying to take care of his daughter, amidst a murder mystery which concerns both of them.

Aribelle (Ari) is an amnesiac teenage girl stranded in a dangerous metropolis, Lost City, with only the clothes on her back and a heart-shaped locket. She meets Hugo, a very resourceful orphan kid who becomes her best friend. In a rather amusing situation Ari borrows the name Lara because he can't remember her real name. The action takes place in two cities, Capital City and Lost City, before the accident and after the accident in which Lara loses her memory and ends up in Lost City. The two, Lara and Hugo go through all sorts of adventures and end up at the city orphanage. Fausta, the director of the orphanage, is truly evil and has her own plans for Lara and Hugo.

Puiul is a short animated art Romanian movie without dialogue.

Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day, Ioan is informed that he must leave or be evicted from the apartment where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family.

Luca and Otilia,two young people just beginning their lives, move in the big city, helped by their childhood friend, Vlad. They rent a flat in an old building, in which only one old man lives, Felix. The flat has a peculiar past: a former tenant, Irina, disappeared mysteriously 6 months ago. One night, after a big fight, Luca falls asleep in the living room and leaves Otilia alone in the bedroom. During the night, Luca hears the scream of his wife coming from the bedroom. Scared, Luca goes to the room where he had heard the scream from. He notices that his wife has disappeared, just like the previous tenant, without any warning. A crazy game begins: Luca has to find out what happened to his wife and face the accusations that others bring on him, especially to Vlad's, who was in love with Otilia.

Two characters, a carriage and a horse. Where are they going? Towards what? Joy, torment and undefinable music. Vulnerable, yet not ready to surrender. They are the poets of time.

A city-vérité conceptual movie shot in Bucharest, the capital of Romania. With an outside-the-box cinematic perspective, a full-encompassing soundtrack, a sequential narrative approach and no dialogues, the film slices through the urban soul and the contemporary spirit of a city formerly known as "Little Paris".

Animation short.

The world managed to testify the execution of Romanian leader Nicolae Ceausescu and his wife, Elena, on Christmas day after a turmoil of events. At the same time, some viewers doubted the veracity of such actual killings. This short film challenges the notion of reality while adding some fiction to those events.

Eva flies back from France expecting a simple funeral. What she gets is a hunchbacked grandma, a furious village priest, and a coffin that just won’t fit. With the church refusing to bend and the body refusing to straighten, Eva is forced to navigate small-town absurdities, family pressure, and funeral logistics that defy common sense.

In a small Eastern European city, Adrian’s joyful proposal to Lena is shattered when her father firmly opposes their marriage, citing fear, responsibility, and an unfinished future. Caught between love and parental authority, the couple is forced to confront tradition, pride, and sacrifice. In the end, it is Lena’s simple, unwavering declaration of love that proves strongest—showing that love, when honest and brave, can change everything.

By the time Slavomir Popovici filmed this documentary, his protagonist was already famous for the museum of history and folk art he had established in his house in Arbore village. His museum was visited by thousands of tourists each year, while the journals that he had kept for four decades had been published in 1972 as The Chronicle from Arbore. Hrib was a peasant autodidact from Bucovina, North Romania. Although he was an eccentric, he was also the perfect film protagonist for 1970s Romanian documentary.