Afọ 1900 - 2

Shots of the panorama, filmed from the winding railroad tracks that stretch along the coast, from Beaulieu to Monaco, including tunnel passages.

A man and a child are washing a small dog in a tub, while a large dog is circling around them, barking.

With a crowded arena in the background, a stationary camera records a bull charging a picador astride his horse. An attendant on foot throws stones at the rump of the horse to get it to move. Various toreadors run past the bull to try to get him to charge or at least run about.

A girl in a Sevillian dress dances to the sound of music played a couple of men at the "Féria Sevillanos" [sic] during the Exposition Universelle de Paris - though she does not look a real Sevillian dancer.

"The Bath" is a flip book remake of After the Ball (Après le Bal) made in the late 1800s.

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform.

The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)

Marquesas in their sedan chairs.

George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog)

Woman sings.

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

A series of fantastical wrestling matches.

Only 15 seconds remain of this lost short about the famous garden scene in Romeo and Juliet

A man misses his train due to his clothes turning into other types of clothes.

While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901)

A spy is executed by firing squad.

Near the main entrance. Hundreds of carriages and characteristic Parisian busses are passing.