ERT

An art thief trapped in a New York penthouse after his heist doesn't go as planned. Locked inside with nothing but priceless works of art, he must use all his cunning and invention to survive.

[/spiti/ (noun): Greek for house, ] Alex is dealing with two losses; her father's sudden death, and the impending sale of her family house, that he had built as an architect. Trying to cope with this new reality, she starts forming a curious relationship with the house itself, and she unexpectedly falls in love with a girl. A personal guide on love and loss, set in the heat of the Greek summer, and narrated in parallel by the real people who lived in the house.

Three tortured souls in an underground parking lot; a little girl arrives; a crime is committed and tension keeps rising in this claustrophobic psychological thriller.

Michalis or MJ is obsessed with fame, wealth and Michael Jordan. He is a trap rapper. "I am destined for greatness! I am already Number One! But why don't they love me?"

Christina, a ballet dancer who struggles to earn her mother’s approval, is trying to succeed in an audition for which her mother is preparing her.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

An ageing Serbian neuroscientist lives a reclusive life in Athens, having been branded as a paranoid schizophrenic for his radical research on the effects of electromagnetic radiation on humans. But when, decades later, he is rediscovered by a group of young dreamers who are trying to change the world through his ideas, he decides to quit his medication and join them in their scientific commune, risking his sanity in pursuit of a higher goal.

An island at night becomes the scene where different characters meet. A militant young girl is rescued unintentionally by a drunken man, somewhere between fantasy and reality.

A young woman's struggle to overcome life's economic restrictions in order to meet her true will. She is twenty-three and lives with her mother, a compromise she can no longer stand. Despite her meager economic means, only enough to survive the first two months, she moves out and rents a 45m2 apartment of her own. During these two months of freedom, she explores her true self and approaches a more poetic and liberal culture, for her, a new way of life that slowly unfolds as she rummages through the belongings that the former renter, a guy her age, has left in the apartment.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.

Seems like an ordinary trip to a remote beach. Four young women enjoy the warmth of the sun, the coolness of the sea and one another's company. None of them is "Winona"

Margarita is on her way to taking a holiday on a Greek island. When she misses the boat, she finds herself traveling much further away.

In a remote island on a distant planet a strange creature is found washed ashore by a woman.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

As well as providing the subject for Luc Besson’s The Big Blue, Jacques Mayol did more than anyone to establish the sport of free diving to enormous depths without an oxygen supply. Using breathing techniques derived from yoga, he went to 50, 60, and even 100 meters—depths no one had considered to be within the bounds of human possibility. Mayol was a sportsman, a mystic, a vagabond, but above all, a man who believed in testing the limits of experience. This visually stunning tribute shows a man’s quest to be at one with the vastness of the ocean and to have no fear of the abyss within, where lurks serenity, freedom and finally, death.

Nelly has escaped from her wealthy and controlling family. As she dances in a strip club, she meets Markos, a small yet charismatic gangster, who helps her run away from her stepfather’s henchmen. Markos soon becomes her protector and lover. He brings her into Broadway, Athens, an abandoned entertainment complex squatted by a small community of dancers, tramps, thieves and a captive monkey. For a while, everything goes well, even when Broadway hosts a mysterious man, injured and covered with bandages, wanted dead by Athens’ most dangerous mafia. However, when Markos gets arrested and imprisoned, the newcomer will take an unexpectedly important place in the gang.

Fiction, reality and delusion gradually merge during the making of ‘Killerwood’, a thriller about a series of unsolved murders in modern-day Athens.

The story follows a family of refugees from the early twentieth century through to the Civil War. Through movements, separations, and reunions, personal lives intersect with Greece’s major historical transformations. Space and time are in constant flux, while the characters remain trapped in an unending search for a homeland.

Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.