The events take place on the eve of the Great October Socialist Revolution. At the center of the film’s narrative is the судьба of a revolutionary grenadier regiment that played an important role in securing the victory of Soviet power in Belarus.
The woodcarver Mikalai Vasilevich Tarasiuk, a folk craftsman of Belarus, lived in Pruzhanshchyna. Near his house is a unique museum "Memories of the Fatherland", which has no analogues in the country. The self-taught master carves figurines from wood, decorates them with vines and straw, and arranges them into scenes from peasant life and everyday life. Specialists call this kind of activity instinctive art. That is, his creativity was formed naturally and such is free from the sphere of any professional influence. Through the personality of the hero and his wooden people, the film provides an opportunity to join the ancient way of life of Belarusians, which is gradually disappearing.
A film about dreams and ambitions in the Belarus through the eyes of the younger generation. An insight into the recent history of Belarus and the growing movement for change in 'Europe's last dictatorship'.
Vasil Granouski is 58. He's living in a village, where he leads a local choir. It consists of only elderly performers. The harmonic Vasil plays is also old, and it lacks a couple of keys. His car, in which he drivers the singers around, is faulty and doesn't always start.
Young girl is looking for the rare red agate which she believes will cure her grandfather.
The action takes place during the Great Patriotic War in Belarus. The village in which the boy Kastus lived was located in the partisan zone. He soon made friends with the partisans, who became close people to him. The loss of his older friends was unexpected and difficult for Kastus...
Yakov Deryabin returns from prison, where he ended up thanks to his wife, and suffers in search of work and housing. No one takes part in the fate of a kind and unfortunate man. And while he sleeps in the entrance of an apartment building under the stairs...
KGB officers present junior schoolchildren with a golden ticket granting a tour around the magical KGB building. There, kids are shown the supernatural working methods of the most important and patriotic agency in the country: non-contact fighting, blindfolded shooting, and telepathy. At the end of the excursion, the KGB employees give the most resilient students the opportunity to feel like real patriots and personally get a confession from the traitors to the country with the help of electric shocks.
Set in a small, typical Belarusian village – granny Sima’s only concern is for the future of her alcoholic son, Vanya. Accompanied by her best friend, a white goat called Manya, she starts a war with her neighbor, Glasha, who happens to be the village Vodka maker…
Structured as a series of vignettes drawn in stark black and white, and to a soundtrack of mournful jazz, the film is a set of confessions anchored in fear, confusion, numbness, and anxiety.
Alexei Kuzmenkov is an ordinary Belarusian game developer working on an armored vehicle strategy game, but his boss tells him that his scenarios lack authenticity. Kuzmenkov volunteers for exempted active duty and joins a tank unit, determined to create a great war game. At first, Kuzmenkov is treated like a torturer, but he strives with a clear goal in mind and eventually grows with his comrades through adversity. As Kuzmenkov adjusts to life in the army, he continues to work on his original goal of developing a game, but will he be able to make it as authentic as he hopes?
The film is dedicated to the Belarusian first printer and educator Francysk Skaryn. In a mysterious and magical atmosphere, whether it is a dream or a reality, Francysk Skaryn meets an inquisitive lion at night who can talk. Skaryn answers the intelligent animal's questions, and in this way tells about his life.
About the love of a Belarusian peasant girl Pavlinka and a village teacher Yakim, about the obstacles that stood in their way, about how they fought against them and defended their happiness.
Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
A group of students finds themselves in an academic environment, which hides a terrifiying danger. Should they stay? Where to expect a menace from? What would happen if they try to leave? Students are forced to find it all out by themselves, without getting any hints.
Two friends set off on a journey along the borders of Belarus on Chinese bicycles with gasoline engines. 47 days of travel, endless breakdowns and dozens of random encounters add up to sketches about the life of the outskirts of the most Soviet of all post-Soviet countries. Villagers, students, rappers, drunks. The long road gradually erases the line between reality and cinema, and with each kilometer it becomes more difficult to distinguish one from the other.
