Prince the wonder horse and his gallant rider gallop off to protect hapless ranchers from the ruthless Nazi bad guys who are trying to steal their land so they can exploit the valuable tungsten deposits in this WW II western. Mayhem ensues, but soon the villains are vanquished and America's tungsten deposits are safe once more.
Less and Less, Luc Moullet’s 40th film, concerns development and expansion, from 1968 to 2010, of the devices based on computers, automats, interactive terminals and others that can be found everywhere.
Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.
While a world war rages, Philippe, a draft-dodger from Quebec, takes refuge in the American West, surviving by competing in Charlie Chaplin impersonation contests. As Philippe makes his long journey home, he encounters various characters under the sway of a destructive madness borne of the chaotic times. His voyage, both violent and fascinating, is a hallucinatory initiation to the darker side of the American dream.
This historical drama with music examines the life and times of Émile Nelligan, one of the major Canadian poets of the 19th century who struggled through a difficult childhood with the help of his loving mother, only to see his career cut short by tragic circumstances.
In 1525, on the evening of the Battle of Pavia, François 1er was taken prisoner by the armies of Charles-Quint, with the Constable de Bourbon on their side. His mother, regent of the kingdom, commissioned the king's loyal equerry, Antoine de Montpezat, to raise a ransom of two million ecus and send it to Madrid. Despite the treachery of Vandoeuvre, governor of Languedoc and supporter of the connétable de Bourbon, who has his eye on the French throne, Montpezat accomplishes his mission and is reunited with his fiancée, who had almost married the traitor Vandoeuvre.
Take a Bollywood film--a good Bolllywood film--with action, emotion, suspense, and laughter. With Indian actors who act, dance, sing and smother themselves with tomato sauce when feigning a bloody head wound. Now, watch the image with the sound turned down! And let Pascal Legitimus and Eric Le Roch re-invent a story, recreate the sounds and the atmosphere, rewrite the lyrics to the songs. They'll give a new meaning to the film, helped in doing so by many well-known actors, who'll lend their voices to the Indian actors on screen. This diversion isn't a danger to your health. You simply risk killing yourself laughing!
The king orders viscount Florestan to take mademoiselle de Solanges for his wife. But the viscount doesn't know the young lady at all. The latter decides to seduce her future husband by introducing herself to him with the name Veronique...
After learning of her convent's closure, a nun prays to Marie of the Incarnation and receives an answer in person.
When her mother died, Geneviève went back to the village where she was born to sell off the house and return to Montreal. Her sister Manou, a pregnant teenager, refuses Genevieve's authority and leaves for the Île de Sable with her boyfriend.
A disturbed priest, who witness an occult ritual, thinks the people are possessed and start a private inquisition to exorcise the demons by torturing them to death.
Cats are cuddly felines and lovely pets, but also highly evolved predators that hunt huge amounts of small mammals, birds and reptiles; perfect killing machines that threaten delicate ecosystems around the world.
The reign of Tsar Paul I and the intrigues of his friend, Governor Pahlen, to rid the country of the mad despot by plotting to have him murdered.
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
A year after the death of their father, life can begin again for Macha, Olga, Irina and their brother, Andrei. But the unpredictability of life destroys their hopes and certainties. The sisters of failed dreams now live in an idle city where everything has to start again. Chekhov's drama about loss and regaining meaning.
Raymond Depardon sets out to meet French people to listen to them tell their tales. From Charleville-Mézières to Nice, Sète to Cherbourg, he invites people encountered in the street to continue their conversation in front of Depardon's camera and us, unfettered from any constraints.
In 1973, 6 guides from the National Ski and Mountaineering School (ENSA), including Charles Daubas and Walter Cecchinel, left by truck from Chamonix to Tamanrasset in the desert in Algeria with the aim of climbing some peaks of the Atakor massif including Adaouda and Tizouyag where they do the first of "La Voie de l'ENSA".
Claire is a 16-year-old girl in search of herself. One evening she is bored and she joins her friend Françoise, to spend a nice evening together. But that doesn't turn out so well ...
The fortuitous meeting of two women to the identical first name, Lucy, who formerly loved the same man, Jonathan, induced, in this film, of the polysemous variations on the memory, art, and the difficult relationship between creation and emotional life. Dehumanized by an exclusive artistic practice, the man lost his reference marks little by little. "Lucy en miroir" wants to be, also, a shifted and transverse second reading of "The Contempt" ("Le Mépris") of Godard, by a step more plastic than analytical or conclusive.
