Srijana, an aspiring painter residing with her father, is reluctant to wed the sole son of her father's business associate. Opting to further her painting skills, she decides to visit her paternal aunt in a distant village. There, she encounters Sonam and Shankar, leading to the emergence of a love triangle that unfolds over time.
About the story of a family facing a medical emergency and the bureaucratic apathy of the medical institution.
A romantic drama filmed in Australia.
While an opulent Dashain arrives at Hakimsaab's house, Bhaire, his neighbor and employee, struggles to afford even the basic necessities for his family. This film shows the divergence within the same festival, serving as a callous reminder of the stark differences between socio-economic classes in Nepal.
Ram is a middle-aged Behrupiya – a traditional performer who impersonates gods and other figures at weddings and parties around Kathmandu. When his wife dies suddenly, Ram faces a crisis he cannot perform his way out of, left with his alcoholic, unemployed son, an aspiring avant-garde photographer.
Ha Lyngkha Bneng is a poignant exploration of human connection amid change, set in 2047 against the serene East Khasi Hills. The film follows Livingstone and his fellow villagers as they confront loss, love, and resilience. With only six villagers remaining, the bonds of friendship and community become vital, offering solace amidst urban migration and loneliness. Livingstone’s journey on a vintage bus symbolizes his enduring love for his late wife, Belinda. As the narrative unfolds, a cast of endearing characters emerges, each grappling with dreams and desires amid loss. Together, they embody resilience, their collective spirit shining through life’s uncertainties. Ha Lyngkha Bneng is a moving testament to the power of community, woven with themes of love, loss, and the enduring strength found in solidarity.
a newlywed Couples struggle with poverty and hardship in Kathmandu's Slum.
Christine Summers has been working in an NGO in Nepal for the past four years. Her boss assigns her to do a last mission in Ruku to collect information of the life outside of the cities, before she leaves for the United States. Leaving for the mission with her crew and her guide; they take shelter in a small village called Zhigrana; an area known for a killer on the loose who sacrifices humans in the name of Kaal Panchami, a mythical ghost. When they start to turn against each other regarding a death of a friend and with no one to trust: it is now up to Christine to figure out who the killer is. Is it the ghost of Kaal Panchami or is the truth even stranger than that?
It tells the story of a famous TV comedian, popularly known as Selfie King, a character he portrays in the comedy TV series of same name.
Chapali Height 2 is a Nepali psychological thriller film directed by Dipendra K. Khanal and produced by Arjun Kumar. The film stars Avash Shrestha, Paramita Rana and Mariska Pokharel. It is the sequel to the 2012 film Chapali Height.
Singing and dancing while calling out "Manjari”
Desan is a Nepali feature film based on the story of a social epidemic, it portrays family love, trust, betrayal and revenge.
Four teenagers, from a remote mountain village, spend their days in an abandoned bus on a ridge, playing music. When a band competition is organized in a neighbouring town, they gather money and courage to be part of it
Based on the Nepalese novel, Magnum Opus Basain, Migration paints a vivid picture of a beautiful rural community in Nepal, focusing on one family's heartrending struggle for survival, before their poverty forces them to leave their home in search of a better life.
Mantra is a fictitious love story of himalaya about Ghyappo (Cowboy as Saugat Malla) and a Girl Sangmo (Diya Pun) and he struggle to get her love.
I'm lonely.
An unemployed village drunk accepts a postman position and ventures into the remote villages of Nepal. In his journey, he must face the challenges and responsibilities of his new job while confronting the personal demons of his past.
In 1990, one sixth of the population of Bhutan was exiled because they demanded greater democratic rights from the ruler. The film follows the story of Sarita, a 13-year-old girl born in Khudunabari, a refugee camp in Nepal where over 100,000 Bhutanese exiles live. Now they will be "relocated": thousands of families will be forced to emigrate and their Lotshampa identity will disappear forever. Sarita and her friends will not tell us their odyssey: they will dance and sing it.
The Other Side of the Coin is an intimate portrait of three migrant workers – Man Bahadur, Madan, and Durge – sharing a cramped semi-basement apartment far from home. By day, they endure the relentless rhythm of a restaurant kitchen; by night, their thoughts return to the families they left behind and the dreams they struggle to hold onto. Their stories unfold within a larger history of migration, shaped by the unequal ranking of the world. One man remembers his grandfather’s journey abroad, he himself now works in the West, while his friend departs for the Gulf to build stadiums – only to never return. These parallel paths reveal how people from poorer nations bear the weight of global hierarchies, giving their labor to distant places while carrying the unseen costs of distance, loss, and longing. Both deeply personal and quietly political, the film reflects on what is left behind – and what is carried forward – when life is lived between worlds.
Transgender identity, same-sex marriage and equal rights in Nepal through the lens of sex workers, runaway couples, and discharged army cadets.
